Publisher's Weekly Review
Early in German author Hausmann's outstanding debut, a woman is hit by a car in a forest on the German-Czech border. The police believe the victim may be Lena Beck, a college student who disappeared in Munich 13 years earlier. After a search of the forest reveals a windowless cabin, a horrific story begins taking shape: Lena was abducted and forced to live in captivity while giving birth to a girl and a boy. When Lena's father, Matthias, arrives at the hospital to identify his daughter, however, he says it's not her. But the young girl with her--the woman's alleged daughter--looks exactly like a younger Lena. A DNA test confirms both children are, in fact, Matthias's grandchildren. As the traumatized woman and the two kids struggle to adapt to life outside of the cabin, Matthias vows to find out what happened to his daughter. The multiple points of view and numerous plot twists sustain the breakneck pacing, but the book's real power lies in the author's insightful and sensitive portrayal of the characters involved in the tragedy. This darkly disturbing thriller definitely marks Hausmann as a writer to watch. (Oct.)
Library Journal Review
DEBUT For 4,993 days and nights, Matthias Beck waits for the call revealing the whereabouts of his daughter Lena, dead or alive. A victim of a hit-and-run accident, bearing a distinctive scar, seems certain to be the young woman who disappeared 13 years ago in Munich. Heartbroken Matthias knows disappointment again when it is not his daughter--until the appearance of a young girl, the victim's daughter, Hannah, who looks exactly like his Lena as a child. Three traumatized narrators, each a liar, tell their stories, but it is eerily intelligent Hannah who reveals their disturbing existence in an isolated windowless cabin where Papa controls them to an agonizing degree. Lena sleeps chained to a bed, using the bathroom at appointed times, and all must employ impeccable manners, for they are the perfect family now, despite the abuse. When Lena seizes her chance to escape, the trauma is not over. VERDICT Hausmann's English-language debut is absorbing and sinister, with a tightening web of psychological intrigue. Tiny clues are steadily inserted into this fast-paced, shivery tale with an unforeseen denouement. Inevitably likened to Emma Donoghue's Room, also suggest Sarah Pinborough's Behind Her Eyes.--Gloria Drake, Oswego P.L. Dist., IL
