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Item Barcode | Collection | Call Number | Status | Item Holds |
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| 33607002273897 | Adult Fiction | LYNCH | Searching... Unknown | Searching... Unavailable |
| 33607002663717 | Adult Fiction | LYNCH | Searching... Unknown | Searching... Unavailable |
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Summary
Summary
By the acclaimed author of The Highest Tide, a story of contrary destinies further complicated by the border that separates them. Six foot eight and severely dyslexic, Brandon Vanderkool has always had an unusual perspective ¿ which comes in handy once his father pushes him off their dairy farm and into the Border Patrol. He used to jump over the ditch into British Columbia but now is responsible for policing a thirty-mile stretch of this largely invisible boundary. Uncomfortable in this uniformed role, he indulges his passion for bird-watching and often finds not only an astonishing variety of species but also a great many smugglers hauling pot into Washington State, as well as potentially more dangerous illegals. What a decade before was a sleepy rural hinterland is now the front line of an escalating war on both drugs and terrorism. Life on either side of the border is undergoing a similar transformation. Mountaintop mansions in Canada peer down into berry farms that might offer convenient routes into the budding American market, politicians clamor for increased security, surveillance cameras sprout up everywhere and previously law-abiding citizens are tempted to turn a blind eye. Closer to home, Brandon's father battles disease in his herd, and his mother something far more frightening. Madeline Rousseau, who grew up right across the ditch, has seen her gardening skills turn lucrative, while her father keeps busy by replicating great past inventions, medicating himself and railing against imperialism. And overseeing all is the mysterious masseuse who knows everybody's secrets. Rich in characters contending with a swiftly changing world and their own elusive hopes and dreams, Border Songs is at once comic and tender and momentous ¿ a riveting portrait of a distinctive community, an extraordinary love story and fiction of the highest order.
Author Notes
Jim Lynch lives with his wife and their daughter in Olympia, Washington. As a journalist, he has received the H. L. Mencken Award and a Livingston Award for Young Journalists, among other national honors. His first novel, The Highest Tide, won the Pacific Northwest Booksellers Award, appeared on several best seller lists, was adapted for the stage and has been published in eleven foreign markets.
Reviews (2)
Publisher's Weekly Review
Lynch digs into the strange culture of a U.S.-Canada border town in his lush second novel (after The Highest Tide). Brandon Vanderkool, the town freak people talk about "the way they discuss earthquakes, eclipses and other phenomena," is pushed into joining the Border Patrol by his dairy-farmer father. Though the dyslexic, six-foot-eight Brandon prefers to bird-watch and tend to the cows on his father's farm, he proves to be surprisingly adept at spotting drug smugglers and illegal immigrants, which brings a wave of attention to both him and the town. The illegal goings-on provide excellent plot fodder, though the novel is equally concerned with smalltown life: Brandon's mother is noticing the first sign of Alzheimer's; his father's struggling dairy farm hits a low point when his herd becomes diseased; a local masseuse records the town's activities with her camera; and the beautiful, enigmatic Madeline provides an object of affection for Brandon. Lynch's depiction of the natural world and his deep sympathy for his characters carry the book, and while it's a bit quiet, there are majestic moments. (June) (c) Copyright PWxyz, LLC. All rights reserved
Library Journal Review
At 6'8", with dyslexia and a touch of autism, Brandon Vanderkool sees things differently than most. When he joins the Border Patrol on the Pacific Northwest's Canadian border, his different perspective leads to a series of high-profile busts of illegal aliens and pot smugglers. Problem is, the area is so economically depressed that the money to be made breaking these laws is all but irresistible to the local community. In his second novel-following The Highest Tide (2005), available from BBC Audiobooks America-Lynch portrays a community in transition and creates wonderful characters like Brandon's father, Norm, whose dairy farm is failing, and Brandon's crush, Madeline, who's in over her head with pot growers. Richard Poe's folksy reading gives this the feel of a Richard Russo novel. Recommended. ["Most readers should love," read the review of the Knopf hc, LJ 4/15/09.-Ed.]-John Hiett, Iowa City P.L. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Excerpts
Excerpts
I EVERYONE REMEMBERED the night Brandon Vanderkool flew across the Crawfords' snowfield and tackled the Prince and Princess of Nowhere. The story was so unusual and repeated so vividly so many times that it braided itself into memories along both sides of the border to the point that you forgot you hadn't actually witnessed it yourself. The night began like the four before it, with Brandon trying not to feel like an impostor as he scanned the fields, hillsides and roads for people, cars, sacks, shadows or anything else that didn't belong, doubting once again he had whatever it took to become an agent. He rolled past Tom Dunbar's dormant raspberry fields, where in a fit of patriotism Big Tom had built a twenty-foot replica of the Statue of Liberty, which was either aging swiftly or perhaps, as the old man claimed, had been vandalized by Canadians. Brandon reluctantly waved at the Erickson brothers--who laughed and mock-saluted once they recognized him in uniform--and rattled past Dirk Hoffman's dairy, where Dirk himself stood on a wooden stepladder completing his latest reader-board potshot at the environmentalists: MOUTHWASH IS A PESTICIDE TOO! Brandon tapped his horn politely, then swerved through semifrozen potholes across the center line to get a cleaner look at the fringed silhouette of a red-tailed hawk, twenty-six , the white rump of a northern flicker, twenty-seven , and, suspended above everything, the boomerang shape of a solo tree swallow, twenty-eight . Brandon traversed the streets of his life now more than ever, getting paid, so it seemed, to do what he'd always loved doing, to look closely at everything over and over again. The repetition and familiarity suited him. He'd spent all of his twenty-three years in these farmlands and humble towns pinned between the mountains and the inland sea along the top of Washington State. Traveling beyond this grid had always disoriented him, especially when it involved frenzied cities twitching with neon and pigeons and bug-eyed midgets gawking up at him. A couple hours in the glassy canyons of Seattle or Vancouver could jam his circuits, jumble his words and leave him worrying his life would end before he had a chance to understand it. Some people blamed his oddities on his dyslexia, which was so severe that one giddy pediatrician called it a gift : while he might never learn how to spell or read better than the average fourth grader, he'd always see things the rest of us couldn't. Others speculated that he was simply too large for this world. Though Brandon claimed to be six-six, because that was all the height most people could fathom, he was actually a quarter inch over six-eight--and not a spindly six-eight either, but 232 pounds of meat and bone stacked vertically beneath a lopsided smile and a defiant wedge of hair that gave him the appearance of an unfinished sculpture. His size had always triggered unreasonable expectations. Art teachers claimed that his unusual bird paintings were as extraordinary as his body. Basketball coaches babbled about his potential until he quit hoops for good after watching that huge Indian in Cuckoo's Nest drop the ball in the hole for a giddy Jack Nicholson. Tall women fawned over his potential too, until they heard his confusing raves and snorting laughs or took a closer look at his art. Near dusk, Brandon wheeled up Northwood past the no casino! yard signs toward the nonchalant border, a geographical handshake heralded here by nothing more than a drainage ditch that turned raucous with horny frogs in the spring and overflowed into both countries every fall. The ditch was one of the few landmarks along the nearly invisible boundary that cleared the Cascades and fell west through lush hills that blurred the line no matter how aggressively it was chainsawed and weed-whacked. From there, as thin as a ru Excerpted from Border Songs by Jim Lynch All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.