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Summary
Summary
In this chilling installment of "the first great series of police thrillers" (Michael Ondaatje, national bestselling author of Warlight ) by an internationally renowned crime duo, superintendent Martin Beck investigates a string of child murders.
In the once peaceful parks of Stockholm, a killer is stalking young girls and disposing their bodies. The city is on edge, and an undercurrent of fear has gripped its residents. Martin Beck, now a superintendent, has two possible witnesses: a silent, stone-cold mugger and a mute three year old boy. With the likelihood of another murder growing as each day passes, the police force work night and day. But their efforts have offered little insight into the methodology of the killer. Then a distant memory resurfaces in Beck's mind, and he may just have the break he needs.
Author Notes
MAJ SJÖWALL and PER WAHLÖÖ, her husband and coauthor, wrote ten Martin Beck mysteries. They plotted and researched each book together then wrote alternate chapters. The books were written over a ten year period and carefully planned to allow for gradual character development and evolving social commentary as the series continued. Mr Wahloo, who died in 1975, was a reporter for several Swedish newspapers and magazines and wrote numerous radio and television plays, film scripts, short stories, and novels. Maj Sjöwall is also a poet.
Excerpts
Excerpts
1 At a quarter to three the sun rose. An hour and a half earlier the traffic had thinned out and died away, together with the noise of the last night revelers on their way home. The street-sweeping machines had passed, leaving dark wet strips here and there on the asphalt. An ambulance had wailed down the long, straight street. A black car with white mudguards, radio antenna on the roof and the word POLICE in white block letters on the sides had glided past, silently and slowly. Five minutes later the tinkle of broken glass had been heard as someone drove a gloved hand through a shop window; then came the sound of running footsteps and a car tearing off down a sidestreet. The man on the balcony had observed all this. The balcony was the ordinary kind with tubular iron rail and sides of corrugated metal. He had stood leaning on the rail, and the glow of his cigarette had been a tiny dark-red spot in the dark. At regular intervals he had stubbed out a cigarette, carefully picked the butt--barely a third of an inch long--out of the wooden holder and placed it beside the others. Ten of these butts were already neatly lined up along the edge of the saucer on the little garden table. It was quiet now, as quiet as it could be on a mild early summer's night in a big city. A couple of hours still remained before the women who delivered the newspapers appeared, pushing their converted prams, and before the first office cleaner went to work. The bleak half-light of dawn was dispersed slowly; the first hesitant sunbeams groped over the five-storied and six-storied apartment houses and were reflected in the television aerials and the round chimney pots above the roofs on the other side of the street. Then the light fell on the metal roofs themselves, slid quickly down and crept over the eaves along plastered brick walls with rows of unseeing windows, most of which were screened by drawn curtains or lowered Venetian blinds. The man on the balcony leaned over and looked down the street. It ran from north to south and was long and straight; he could survey a stretch of more than two thousand yards. Once it had been an avenue, a showplace and the pride of the city, but forty years had passed since it was built. The street was almost exactly the same age as the man on the balcony. When he strained his eyes he could make out a lone figure in the far distance. Perhaps a policeman. For the first time in several hours he went into the apartment; he passed through the living room and out into the kitchen. It was broad daylight now and he had no need to switch on the electric light; in fact he used it very sparingly even in the winter. Opening a cupboard, he took out an enamel coffeepot, then measured one and a half cups of water and two spoonfuls of coarse-ground coffee. He put the pot on the stove, struck a match and lit the gas. Felt the match with his fingertips to make sure it had gone out, then opened the door of the cupboard under the sink and threw the dead match into the garbage bag. He stood at the stove until the coffee had boiled up, then turned the gas off and went out to the bathroom and urinated while waiting for the grounds to sink. He avoided flushing the toilet so as not to disturb the neighbors. Went back to the kitchen, poured the coffee carefully into the cup, took a lump of sugar from the half-empty packet on the sink and a spoon out of the drawer. Then he carried the cup to the balcony, put it on the varnished wooden table and sat down on the folding chair. The sun had already climbed fairly high and lit up the front of the buildings on the other side of the street down as far as the two lowest apartments. Taking a nickel-plated snuffbox from his trouser pocket, he crumbled the cigarette butts one by one, letting the tobacco flakes run through his fingers down into the round metal box and crumpling the bits of paper into pea-sized balls which he placed on the chipped saucer. Excerpted from The Man on the Balcony by Per Wahlöö, Maj Sjöwall All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.