Publisher's Weekly Review
In this haunting memoir, National Book Award--finalist Machado (Her Body and Other Parties) discusses the mental and physical abuse she was subjected to by her girlfriend. The book is divided into short, piercing chapters, in which Machado refers to the victimized version of herself as "you." ("I thought you died, but writing this, I'm not sure you did.") Machado discusses meeting the girlfriend (her first) in Iowa City, where Machado was getting her MFA. She masterfully, slowly introduces unease and dread as the relationship unfolds. The girlfriend turns threatening if Machado doesn't immediately return her calls, starts pointless fights, and inflicts physical discomfort on Machado (squeezing her arm for no reason, for instance). The hostile environment turns utterly oppressive, yet Machado stays, becoming further disoriented by someone who inflicts harm one minute and declares her love the next. Machado interestingly weaves in cultural references (to movies like 1944's Gaslight and 1984's Carmen) as she considers portrayals of abuse. She points out that queer women endure abuse in their relationships just as heterosexual women do, and queer abusers shouldn't be protected: "We deserve to have our wrongdoing represented." The author eventually leaves her toxic relationship behind, but scars remain. Machado has written an affecting, chilling memoir about domestic abuse. (Nov.)
Library Journal Review
Experimenting with narrative form, Machado (Her Body and Other Parties) offers an emotional tour of the "Dream House," examining the history of an abusive queer relationship from multiple perspectives. In fragmented vignettes and short essays, Machado considers the "Dream House" as romance novel, noir, déjà vu, cautionary tale, and more (even delving into "Choose Your Own Adventure" stories) to engage with the literature on queer domestic abuse, positioning her account within the framework of lesbian experience. Machado's frequent use of second-person narration is especially harrowing, placing readers inside the Dream House as she recounts the events surrounding her relationship. In this open examination of abuse--how it starts, how it hides, how it tears at the victim's sense of self--Machado reimagines and plays with the memoir form, bridging the gap between reader and author in a way that is original and haunting. VERDICT A thought-provoking account for anyone interested in the experience of abuse survivors and lesbian narratives; trigger warning for descriptions of physical and emotional abuse. [See Prepub Alert, 4/1/19.]--Gricel Dominguez, Florida International Univ. Lib., Miami