Available:*
Item Barcode | Collection | Call Number | Status | Item Holds |
|---|---|---|---|---|
| 33607002415084 | Adult Fiction | HAIG | Searching... Unknown | Searching... Unavailable |
Bound With These Titles
On Order
Summary
Summary
Just about everyone knows a family like the Radleys. Many of us grew up next door to one. They are a modern family, averagely content, averagely dysfunctional, living in a staid and quiet suburban English town. Peter is an overworked doctor whose wife, Helen, has become increasingly remote and uncommunicative. Rowan, their teenage son, is being bullied at school, and their anemic daughter, Clara, has recently become a vegan. They are typical, that is, save for one devastating exception: Peter and Helen are vampires and have for seventeen years been abstaining by choice from a life of chasing blood in the hope that their children could live normal lives.One night, Clara finds herself driven to commit a shocking and disturbingly satisfying act of violence, and her parents are forced to explain their history of shadows and lies. A police investigation is launched that uncovers a richness of vampire history heretofore unknown to the general public. And when the malevolent and alluring Uncle Will, a practicing vampire, arrives to throw the police off Clara's trail, he winds up throwing the whole house into temptation and turmoil and unleashing a host of dark secrets that threaten the Radleys marriage.The Radleysis a moving, thrilling, and radiant domestic novel that explores with daring the lengths a parent will go to protect a child, what it costs you to deny your identity, the undeniable appeal of sin, and the everlasting, iridescent bonds of family love. Read it and ask what we grow into when we grow up, and what we gain and lose when we deny our appetites.
Author Notes
Matt Haig was born on July 3, 1975 in Sheffield. He attended the University of Hull where he studied English and History. He has since become a British novelist and journalist. He has authored both fiction and non-fiction for children and adults. His non-fiction title "Reasons to Stay Alive" became a Sunday Times bestseller. His bestselling children's novel, A Boy Called Christmas is now being adapted for film. His other works include: The Last Family in England, The Dead Fathers Club, Shadow Forest, The Possession of Mr. Cave, How to Stop Time and Runaway Troll.
(Bowker Author Biography)
Reviews (2)
Publisher's Weekly Review
This witty vampire novel from British author Haig (The Possession of Mr. Cave) provides what jaded fans of the Twilight series need, not True Blood exactly, but some fresh blood in the form of a true blue family. Dr. Peter Radley and his wife, Helen, have fled wild London for the village of Bishopthorpe, where they live an outwardly ordinary life. The Radleys, who follow the rules of The Abstainer's Handbook (e.g., "Be proud to act like a normal human being"), haven't told their 15-year-old vegan daughter, Clara, and 17-year-old son, Rowan, who's troubled by nightmares, that they're really vampires. A crisis occurs when a drunken classmate of Clara's, Stuart Harper, attacks her on her way home from a party and inadvertently awakens the girl's blood thirst. Peter's call for help to his brother, Will, a practicing vampire, leads to scary consequences. The likable Clara and Rowan will appeal to both adult and teen readers. (Dec.) (c) Copyright PWxyz, LLC. All rights reserved.
Library Journal Review
Dark humor pervades Haig's (The Possession of Dr. Cave) entertaining vampire family soap opera. While Helen was engaged to Peter Radley 17 years ago, his brother Will secretly whisked her off for one sex-filled "vampire conversion" night in Paris. A pregnant Helen then told Peter the baby was his, and together they decided to live like normal people and follow the guidelines set down by the Abstainer's Handbook, written for those who no longer wish to live the traditional vampire life. Complications arise as their children, Rowan (Will's biological son) and Clara, begin to acquire vampire characteristics. Clara is the first to change when one night a thuggish classmate attacks her. The fangs pop out, and Clara does what any vampire would naturally do. At last Helen agrees with Peter that it is time to explain their heritage to the children. At first the Radleys seem to be the stereotypical dysfunctional family, but each of them gradually shows a depth of character that helps them to pull together when outside forces attempt to destroy them. VERDICT This witty novel offers a refreshing take on an oversaturated genre. Already optioned by director Alfonso Cuaron (Children of Men; Harry Potter and the Prisoner of Azkaban), this is sure to attract reader attention. [See Prepub Alert, LJ 7/10.]-Patricia Altner, Columbia, MD (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Excerpts
Excerpts
Orchard Lane It is a quiet place, especially at night. Too quiet, you'd be entitled to think, for any kind of monster to live among its pretty, tree-shaded lanes. Indeed, at three o'clock in the morning in the village of Bishopthorpe, it is easy to believe the lie indulged in by its residents--that it is a place for good and quiet people to live good and quiet lives. At this hour, the only sounds to be heard are those made by nature itself. The hoot of an owl, the faraway bark of a dog, or, on a breezy night like this one, the wind's obscure whisper through the sycamore trees. Even if you stood on the main street, right outside the pub or the Hungry Gannet delicatessen, you wouldn't often hear any traffic or be able to see the abusive graffiti that decorates the former post office (though the word FREAK might just be legible if you strain your eyes). Away from the main street, on somewhere like Orchard Lane, if you took a nocturnal stroll past the detached period homes lived in by solicitors and doctors and project managers, you would find all their lights off and curtains drawn, secluding them from the night. Or you would until you reached number seventeen, where you'd notice the glow from an upstairs window filtering through the curtains. And if you stopped, sucked in that cool and consoling fresh night air, you would at first see that number seventeen is a house otherwise in tune with those around it. Maybe not quite as grand as its closest neighbor, number nineteen, with its wide driveway and elegant Regency features, but still one that holds its own. It is a house that looks and feels precisely how a village family home should look--not too big, but big enough, with nothing out of place or jarring on the eye. A dream house in many ways, as estate agents would tell you, and certainly perfect to raise children. But after a moment you'd notice there is something not right about it. No, maybe "notice" is too strong. Perhaps you wouldn't actively realize that even nature seems to be quieter around this house, that you can't hear any birds or anything else at all. Yet there might be an instinctive sense that would make you wonder about that glowing light and feel a coldness that doesn't come from the night air. If that feeling grew, it might become a fear that would make you want to leave the scene and run away, but you probably wouldn't. You would observe the nice house and the moderately expensive car parked outside and think that this is the property of perfectly normal human beings who pose no threat to the outside world. If you let yourself think this, you would be wrong. For 17 Orchard Lane is the home of the Radleys, and despite their very best efforts, they are anything but normal. © 2010 Matt Haig Excerpted from The Radleys by Matt Haig All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.