Publisher's Weekly Review
Donna Tartt's latest novel clocks in at an unwieldy 784 pages. The story begins with an explosion at the Metropolitan Museum that kills narrator Theo Decker's beloved mother and results in his unlikely possession of a Dutch masterwork called The Goldfinch. Shootouts, gangsters, pillowcases, storage lockers, and the black market for art all play parts in the ensuing life of the painting in Theo's care. Tartt's flair for suspense, on display in The Secret History (2005), features the pulp of a typical bildungsroman-Theo's dissolution into teenage delinquency and climb back out, his passionate friendship with the very funny Boris, his obsession with Pippa (a girl he first encounters minutes before the explosion)-but the painting is the novel's secret heart. Theo's fate hinges on the painting, and both take on depth as it steers Theo's life. Some sentences are clunky ("suddenly" and "meanwhile" abound), metaphors are repetitive (Theo's mother is compared to birds three times in 10 pages), and plot points are overly coincidental (as if inspired by TV), but there's a bewitching urgency to the narration that's impossible to resist. Theo is magnetic, perhaps because of his well-meaning criminality. The Goldfinch is a pleasure to read; with more economy to the brushstrokes, it might have been great. Agent: Amanda Urban, ICM. (Oct. 22) (c) Copyright PWxyz, LLC. All rights reserved.
Library Journal Review
This latest work from Tartt (Little Friend) is nothing like the small, exquisitely rendered painting of the title. Protagonist Theo Decker is just 13 years old when his mother is killed in an explosion at New York's Metropolitan Museum of Art, which the two had been visiting (but when?). Before the explosion, Theo makes eye contact with an appealing girl his age; afterward, he lifts the goldfinch painting (but why?) and is given a ring by the older man accompanying the girl (but why?). The ring leads him to Hobart and Blackwell, an antiques shop where he meets both generous proprietor Hobie and Pippa, the girl from the museum, who remains the elusive love of Theo's life. Meanwhile, Theo stays with the wealthy family of his sort-of friend Andy until his long-gone father reappears to plunder the mother's apartment (but who paid the rent all that time?) and take poor Theo to Las Vegas. There, free of parental guidance, Theo befriends Russian bad-boy Boris and goes off track, eventually returning to New York, floundering through school, and setting up business with Hobie, whom he more or less betrays (but why?). Verdict There might be an acute psychological portrait of grief and growth buried here, but there's so much unconsidered detail that subject and background seem switched, as in a badly done painting. We should feel for Theo in his anguish, but instead he leaves an acrid taste in the mouth. Tartt is beloved, and readers are going to go after this book (but why?). [See Prepub Alert, 4/1/13.]-Barbara Hoffert, Library Journal (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.