Welcome to the revolution -- Persistence, and the long con of being a successful writer -- I'll make pancakes : on opting in, and out, of the writing game -- What marketing and advertising taught me about the value of failure -- Taking responsibility for writing problematic stories -- Unpacking the "real writers have talent" myth -- Some men are more monstrous then others : on True detective's men and monsters -- Die hard, hetaerae, and problematic pin-ups : a rant -- Wives, warlords, and refugees : the people economy of Mad Max -- Tea, bodies, and business : remaking the hero archetype -- A complexity of desires : expectations of sex and sexuality in science fiction -- What's so scary about strong female protagonists, anyway? -- In defense of unlikable women -- Women and gentlemen : on unmasking the sobering reality of hyper-masculine characters -- Gender, family, nookie : the speculative frontier -- The increasingly poor economics of penning problematic stories -- Making people care : storytelling in fiction vs. marketing -- Our dystopia : imagining more hopeful futures -- Where have all the women gone? Reclaiming the future of fiction -- Finding hope in tragedy : why I read dark fiction -- Public speaking while fat -- They'll come for you ... whether you speak up or not -- The horror novel you'll never have to live : surviving without health insurance -- Becoming what you hate -- Let it go : on responding (or not) to online criticism -- When the rebel becomes queen : changing broken systems from the inside -- Terrorist or revolutionary? Deciding who gets to write history -- Giving up the sky -- What we didn't see : power, protest, story -- What living in South Africa taught me about being white in America -- It's about ethics in dating -- Hijacking the Hugo Awards -- Dear SFWA writers : let's chat about censorship and bullying -- With great power comes great responsibility : on empathy and the power of privilege -- Rage doesn't exist in a vacuum -- Why I'm not afraid of the Internet -- We have always fought : challenging the "women, cattle, and slaves" narrative -- What are we fighting for?