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Summary
Summary
A heart-stopping novel of adventure and suspense from #1 New York Times bestselling author James Rollins--the first in his critically acclaimed Sigma Force series
A freak explosion in the British Museum in London ignites a perilous race for an earth-shaking power source buried deep beneath the sands of history. Painter Crowe is an agent for Sigma Force, a covert arm of the Defense Department tasked with keeping dangerous scientific discoveries out of enemy hands. When an ancient artifact points the way toward the legendary "Atlantis of the Sands," Painter must travel across the world in search of the lost city-and a destructive power beyond imagining.
But Painter has competition. A band of ruthless mercenaries, led by a former friend and ally, are also intent on claiming the prize, and they will destroy anyone who gets in their way. Ancient history collides with cutting-edge science-with the safety of the world at stake.
Author Notes
James Rollins (nee James Czajkowski) was born in Chicago, Illinois on August 20, 1961. He received a doctorate in veterinary medicine from the University of Missouri in 1985. After graduation, he started his veterinary practice in Sacramento, California. His first novel, Subterranean, was published in 1999. His other works include the Sigma Force series, the Jake Ransom series, and Indiana Jones and the Kingdom of the Crystal Skull. He also writes the Banned and the Banished series and The Godslayer Chronicles under the name of James Clemens. James Rollins co-authors the new Tucker Wayne series with Grant Blackwood. The first book in the series, The Kill Switch, made the New York Times bestseller list in 2014. Rollins title, Bone Labyrinth, a story in the Sigma Force Novels Series, made the New York Times bestseller list in 2015.
(Bowker Author Biography)
Reviews (2)
School Library Journal Review
Adult/High School-A devastating explosion destroys an entire antiquities section of the British Museum and sets off a search for the source of the antimatter used. Scientist Safia al-Maaz and her closest friend and museum benefactor, Lady Kara Kensington, are joined in the search by Omaha Dunn, another scientist and adventurer, and Painter Crowe and his covert U.S. government team. Together they take on the desert of Arabia and relocate the legendary city of Ubar. As they search for the source of the antimatter, an evil cabal makes plans to use it for nefarious purposes. In the meantime, a tremendous sandstorm releases winds and driven sand with more force than a hurricane, while a rainstorm pushes in toward the site of Ubar and the search teams. The desert setting and the details of its environmental challenges conjure up clear pictures of the harshness of the area. The characters tend to be a bit stereotypical at first, but fit into the plot and support the action. And they evolve. Omaha Dunn, seemingly patterned on Indiana Jones, appears almost as a clone of the typical action/adventure character but becomes more individualized. Rollins mixes science, history, facts, and fiction into a thrilling swirl of an adventure story with a nonstop pace.-Pam Johnson, Fairfax County Public Library, VA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publisher's Weekly Review
If he weren't such a good action writer, Rollins might make a dynamite climatologist. Each of his thrillers has featured as a central character an extreme environment, most recently the Arctic ice (Ice Hunt, 2003) and now the hot sands of Saudi Arabia. But while Rollins writes settings and scenes that sizzle, what's caught in the heat are usually familiar characters grappling with far-fetched threats, and so it is here. That one male lead is a danger-courting archeologist named Omaha Dunn seems less parodic than tired, and the novel's premise of a hoard of antimatter hidden in the legendary city of Ubar is almost as ridiculous as the idea that this cache has been guarded for millennia by an order of women who propagate without men, via parthenogenesis. Rollins writes less like Michael Crichton than Stan Lee. Most of his readers won't care, though, because there's just enough scientific gloss on the nonsense to make it palatable, and anyway, what they want, and what he delivers, is action, as Omaha and an American military agent, Painter, join forces with two Mideastern women, one a scientist, the other a billionaire, to locate the steadily destabilizing antimatter before it's snatched by a villainous cabal, or worse, blows up the planet. And that's why they'll buy this book in numbers big enough to have it flirt with national bestseller lists. Agent, Russell Galen. (July) (c) Copyright PWxyz, LLC. All rights reserved
Excerpts
Excerpts
Sandstorm Chapter One Fire and Rain November 14, 01:33 A.M. The British Museum London, England Harry Masterson would be dead in thirteen minutes. If he had known this, he would've smoked his last cigarette down to the filter. Instead he stamped out the fag after only three drags and waved the cloud from around his face. If he was caught smoking outside the guards' break room, he would be shit-canned by that bastard Fleming, head of museum security. Harry was already on probation for coming in two hours late for his shift last week. Harry swore under his breath and pocketed the stubbed cigarette. He'd finish it at his next break . . . that is, if they got a break this night. Thunder echoed through the masonry walls. The winter storm had struck just after midnight, opening with a riotous volley of hail, followed by a deluge that threatened to wash London into the Thames. Lightning danced across the skies in forked displays from one horizon to another. According to the weatherman on the Beeb, it was one of the fiercest electrical storms in over a decade. Half the city had been blacked out, overwhelmed by a spectacular lightning barrage. And as fortune would have it for Harry, it was his half of the city that went dark, including the British Museum on Great Russell Street. Though they had backup generators, the entire security team had been summoned for additional protection of the museum's property. They would be arriving in the next half hour. But Harry, assigned to the night shift, was already on duty when the regular lights went out. And though the video surveillance cameras were still operational on the emergency grid, he and the shift were ordered by Fleming to proceed with an immediate security sweep of the museum's two and a half miles of halls. That meant splitting up. Harry picked up his electric torch and aimed it down the hall. He hated doing rounds at night, when the museum was lost in gloom. The only illumination came from the streetlamps outside the windows. But now, with the blackout, even those lamps had been extinguished. The museum had darkened to macabre shadows broken by pools of crimson from the low-voltage security lamps. Harry had needed a few hits of nicotine to steel his nerve, but he could put off his duty no longer. Being the low man on the night shift's pecking order, he had been assigned to run the halls of the north wing, the farthest point from their underground security nest. But that didn't mean he couldn't take a shortcut. Turning his back on the long hall ahead, he crossed to the door leading into the Queen Elizabeth II Great Court. This central two-acre court was surrounded by the four wings of the British Museum. At its heart rose the great copper-domed Round Reading Room, one of the world's finest libraries. Overhead, the entire two-acre courtyard had been enclosed by a gigantic Foster and Partners-designed geodesic roof, creating Europe's largest covered square. Using his passkey, Harry ducked into the cavernous space. Like the museum proper, the court was lost to darkness. Rain pattered against the glass roof far overhead. Still, Harry's footsteps echoed across the open space. Another lance of lightning shattered across the sky. The roof, divided into a thousand triangular panes, lit up for a blinding moment. Then darkness drowned back over the museum, drumming down with the rain. Thunder followed, felt deep in the chest. The roof rattled, too. Harry ducked a bit, fearing the entire structure would come crashing down. With his electric torch pointed forward, he crossed the court, heading for the north wing. He rounded past the central Reading Room. Lightning flashed again, brightening the place for a handful of heartbeats. Giant statues, lost to the darkness, appeared as if from nowhere. The Lion of Cnidos reared beside the massive head of an Easter Island statue. Then darkness swallowed the guardians away as the lightning died out. Harry felt a chill and pebbling of gooseflesh. His pace hurried. He swore under his breath with each step, "Bleeding buggered pieces of crap ... " His litany helped calm him. He reached the doors to the north wing and ducked inside, greeted by the familiar mix of mustiness and ammonia. He was grateful to have solid walls around him again. He played his torch down the long hall. Nothing seemed amiss, but he was required to check each of the wing's galleries. He did a fast calculation. If he hurried, he could complete his circuit with enough time for another fast smoke. With the promise of a nicotine fix luring him, he set off down the hall, the beam of his torch preceding him. The north wing had become host to the museum's anniversary showcase, an ethnographical collection portraying a complete picture of human achievement down the ages, spanning all cultures. Like the Egyptian gallery with its mummies and sarcophagi. He continued hurriedly, ticking off the various cultural galleries: Celtic, Byzantine, Russian, Chinese. Each suite of rooms was locked down by a security gate. With the loss of power, the gates had dropped automatically. At last, the hall's end came into sight. Most of the galleries' collections were only temporarily housed here, transferred from the Museum of Mankind for the anniversary celebration. But the end gallery had always been here, for as far back as Harry could recall. It housed the museum's Arabian display, a priceless collection of antiquity from across the Arabian Peninsula. The gallery had been commissioned and paid for by one family, a family grown rich by its oil ventures in that region. The donations to keep such a gallery in permanent residence at the British Museum was said to top five million pounds per annum. One had to respect that sort of dedication. Or not . . . Sandstorm . Copyright © by James Rollins. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold. Excerpted from Sandstorm by James Rollins All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.