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Summary
Summary
Rob is a pop music junkie who runs his own semi-failing record store. His girlfriend, Laura, has just left him for the guy upstairs, and Rob is both miserable and relieved. After all, could he have spent his life with someone who has a bad record collection? Rob seeks refuge in the company of the offbeat clerks at his store, who endlessly review their top five films (Reservoir Dogs...); top five Elvis Costello songs ("Alison"...); top five episodes of Cheers (the one where Woody sang his stupid song to Kelly...). Rob tries dating a singer whose rendition of "Baby, I Love Your Way" makes him cry. But maybe it's just that he's always wanted to sleep with someone who has a record contract. Then he sees Laura again. And Rob begins to think (awful as it sounds) that life as an episode of thirtysomething, with all the kids and marriages and barbecues and k.d. lang CD's that this implies, might not be so bad.
Author Notes
Nick Hornby was born in Redhill, Surrey, England on April 17, 1957. He graduated from Cambridge University where he studied English. His books High Fidelity; Fever Pitch, which won the William Hill Sports Book of the Year Award in 1992; About a Boy and An Education were all made into movies. His other books include Slam; A Long Way Down; How to Be Good; Songbook; Shakespeare Wrote for Money; and The Polysyllabic Spree. He has received numerous awards including the American Academy of Arts and Letters' E. M. Forster Award in 1999 and the Orange Word International Writers' London Award in 2003. In addition to his books, his works have appeared in Esquire, Elle, GQ, Time, and Cosmopolitan. In 2015 his title, Funny Girl made The New York Times Bestseller List.
(Publisher Provided)
Reviews (2)
Publisher's Weekly Review
British journalist Hornby has fashioned a disarming, rueful and sometimes quite funny first novel that is not quite as hip as it wishes to be. The book dramatizes the romantic struggle of Rob Fleming, owner of a vintage record store in London. After his girlfriend, Laura, leaves him for another man, he realizes that he pines not for sexual ecstasy (epitomized by a ``bonkus mirabilis'' in his past) but for the monogamy this cynic has come to think of as a crime. He takes comfort in the company of the clerks at the store, whose bantering compilations of top-five lists (e.g., top five Elvis Costello songs; top-five films) typify the novel's ingratiating saturation in pop culture. Sometimes this can pall: readers may find that Rob's ruminations about listening to the Smiths and the Lemonheadspop music helps him fall in love, he tells usare more interesting than his list of five favorite episodes of Cheers. Rob takes comfort as well in the company of a touring singer, Marie La Salle, who is unpretentious and ``pretty in that nearly cross-eyed American way''but life becomes more complicated when he encounters Laura again. Hornby has earned his own place on the London bestseller lists, and this on-the-edge tale of musical addiction just may climb the charts here. First serial to Esquire. (Sept.) (c) Copyright PWxyz, LLC. All rights reserved
Library Journal Review
Rob Fleming is the kind of person whose mindset is clearly shown by his top two career choices: journalist for the New Musical Express, 1976-79, and producer for Atlantic Records, circa 1964-71. Owner of a small London record shop and musical snob of a high degree, Rob finds his life thrown into turmoil when live-in girlfriend Laura suddenly leaves. He embarks on a journey through the past, tracking down old lovers while finding solace with Marie, an American folk/country singer living in London, even as he yearns for Laura's return. Told in an engaging first-person voice that blends sarcasm with self-deprecating humor, High Fidelity presents a painfully funny take on love, music, and growing up. Already a best seller in Britain, this stunningly assured first novel should be a hit here as well.Lawrence Rungren, Bedford Free P.L., Mass. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.