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Summary
Summary
A spellbinding voice in historical fiction makes her remarkable debut in a moving and beautifully rendered tale of love and politics, loyalty and duplicity -- and the extreme lengths to which such forces drive us
The year 1198. All of Wales is in turmoil.King Maelgwyn ap Cadwallon, known to his people as Noble, is struggling to protect his small kingdom from treacherous Welsh princes and Roger Mortimer, an ambitious English baron who murdered Noble's father years earlier. Desperate to secure a peace treaty, the king grimly agrees to a political marriage with Isabel Mortimer, Roger's niece.
Isabel, not yet twenty, is confounded by the intimacy and informality of the Welsh court, which to her foreign eyes looks barbaric and backward. As determined and willful as she is na#65533;ve, she eventually earns the respect and affection of her husband and his subjects -- with the notable exception of Gwirion, the king's oldest and oddest friend, who has a particular, private reason to hate Mortimers.
Gwirion's rascally tricks and diversions are expected -- and relished -- by all at Cymaron Castle. But a disastrous prank played during the royal wedding ignites a volatile competition between queen and confidant for the king's affection, with most unexpected consequences.
As Mortimer makes it apparent that he has no intention of honoring the peace treaty, the bond between Noble and Isabel grows strained. And when Gwirion and Isabel's mutual animosity is abruptly transformed, Noble finds himself as threatened by those he loves best as by the enemies who menace his crown.
A masterful debut novel by a gifted storyteller, The Fool's Tale combines vivid historical fiction, compelling political intrigue, and passionate romance to create an intimate drama of three individuals bound -- and undone -- by love and loyalty.
Reviews (2)
Publisher's Weekly Review
Screenwriter Galland debuts impressively with a steamy historical romance about a medieval Welsh queen's love affair with the king's best friend-his profane, hyperactive royal fool. The year is 1198, and King Maelgwyn (mercifully nicknamed Noble) of Maelienydd has wed the young Englishwoman Isabel Mortimer in hopes of neutralizing her uncle Roger, a powerful baron with designs on Noble's small kingdom. But almost from their wedding night, the political marriage of Isabel and Noble is a disaster: she is headstrong and tomboyish, "far from his ideal"; he is temperamental, tyrannical and unwilling to give up "nonconjugal fornication." Even worse for Isabel is his unfathomable relationship with the fool Gwirion, whose outrageous pranks and lewd public performances humiliate her. But when Noble goes off to fight Roger Mortimer, a siege on the castle by an opportunistic Welsh prince forces Isabel and Gwirion to confront each other, and to finally acknowledge their traitorous passion. Galland creates memorable characters-particularly Gwirion-who sound authentically regal yet earthy. She strikingly captures the murky Welsh setting and even murkier politics. The novel is occasionally short on plot, but readers will relish the energetic emotional back-and-forth of the protagonists' ceaseless trysting. Agent, Liz Darhansoff. (Jan. 4) Forecast: Galland's story of her charmed research trip to Wales (among other lucky breaks, a random couple invited her to stay with them while she wrote the book) could help rouse bookseller interest in this promising debut. (c) Copyright PWxyz, LLC. All rights reserved
Library Journal Review
The plot of this first novel strongly resembles the saga of King Arthur, Guinevere, and Lancelot but with alterations of character and place (medieval Wales instead of Cornwall). The King, nicknamed Noble, believes that the end always justifies the means, while "Lancelot" is the king's companion and friend, a foundling of heroic spirit who lives on sufferance until he saves the king's life during an ambush. Noble maintains Gwirion as his fool, encouraging his pranks, indulging him with favors, and allowing him to ridicule everyone at court. Enter Isabel the bride, beautiful, intelligent, devout, and determined to win Noble's regard and put up with his imperial ways, including his fondness for the crude, scruffy Gwirion. The author's credentials from stage and screen work (Berkley Rep) are evident in her deft, dramatic dialog and pacing. This is less slick than James Patterson's The Jester but more believable. For all public libraries with historical fiction enthusiasts.-Mary K. Bird-Guilliams, Wichita P.L., KS (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Excerpts
Excerpts
The Fool's Tale A Novel Chapter One Enemies May Day, 1198 Sabel was old for a bride, nearly twenty, and orphaned with little dowry beyond her bloodline. She was considered a great beauty in her own country -- small and boyish in build, with an intelligent, squarish face and a high, graceful forehead -- and supremely desirable for her education, skills, and absolute lack of feminine triviality. But she had always known she'd be married for politics. It never bothered her; until she'd heard Chrétien de Troyes's romances of Lancelot and the Round Table, at the age of thirteen, it had never even occurred to her that there could be other reasons to bind herself to a man. She remembered Adèle chasing away the minstrel reciting them, then chastising Isabel for corrupting her own wits and sense. So she had never dwelt on the possibility of romantic love. But she'd assumed a match would at least be within her own race, and she had been taken aback when her uncle Roger had revealed her suitor's identity: not only a Welsh prince, but the only prince still referred to by the English chroniclers as "Rex" -- King. A small kingdom, and a poor one, but she would be a queen. And the king, when she'd met him, was so disarming and handsome and his accent so melodious that it had made her knees weak, although she was hardly the sort to get weak knees. When the date was set and the terms agreed upon, she had spent a fortnight smiling to herself. But that smile waned on the journey to a land that was far too alien, considering it began almost at her childhood doorstep. They had left the homey fields of England for windy Welsh hillsides, hillsides carpeted by dead bracken that looked like russet snow, and nothing else for miles at a stretch but grass and prickly gorse -- not a tree, not a house, not even a rocky outcrop to vary the landscape. Nothing but herds of white sheep and black cattle being driven upland for what passed as summer. The songbirds had been cacophonous, magpies and curlews, red kites and buzzards perched on the skeletons of sheep that had not survived the winter. In England there had been farmers, already sowing, bowing respectfully as they passed; here they'd found undernourished peasants digging up peat under the damp grey sky and pointedly ignoring them. Isabel tried not to be disheartened by this; she hoped she could eventually make these people understand that not all Normans were butchers. Below them, the valleys and lower hillsides were impassable bogs shadowed by dense groves of scrub oak (considered by the natives sacred and haunted), so the ancient Roman roads had kept them high on the slopes, windblown, chilly and exposed. She had known it would be highland, and she'd thought that meant mountains, which would have at least been interesting. The first few hills had been promising, with lovely sweeping views of river valleys, but by the time they were well into the kingdom, the entire country was high, with decidedly undramatic undulations from valley to hilltop -- there were no peaks to speak of anywhere. It looked, her brother Thomas had muttered, like the English moors flung over a gigantic bowl of lumpy porridge. Wigmore Castle was only a day's ride off but in that day she had been transported farther away than her pilgrimage to Santiago de Compostela had taken her. Gwirion had been incensed when he'd learned the wedding was set for May Day, and the Spring Rites canceled because of it. ("Usurped," he'd protested, "by a Mortimer, by a bitch of an English virgin.") When the king warned him not to use this public gathering as a chance to make sport of anybody, Gwirion had rebutted that he would never condescend to dignify the occasion by immortalizing it with a prank of any sort. And so the entire castle population knew there would be trouble. It was May Day at last. Boughs of birch twigs hung over windows and everyone wore brilliant colors -- even the usually bedraggled dwarf Corr wore green hose under his linen tunic. The one exception was Gwirion, who had donned sackcloth to mourn the end of the king's finest years as a bachelor. He insisted the day was too splendid to waste on a wedding, particularly one involving Mortimers, and would have avoided it altogether if Corr had not begged him otherwise. "You know how ladies react when they see me for the first time," he lamented, his colorless lashes blinking almost spastically in the sunlight. "If you're beside me I can pretend to myself it's partly your hideous mug." Gwirion grinned at this and then a thoughtful gleam warmed his eyes. It was a look Corr was all too familiar with. "Whatever you are thinking of thinking," he said, "don't think it." "It seems to me," Gwirion mused, ignoring the request, "that we've never fully exploited that particular aspect of your appearance." "I doubt she'll give us much satisfaction that way. I've heard she has a sensible head on her shoulders." Gwirion considered this. "But what has she got on the rest of her?" he asked. Rhetorically. Corr sighed in capitulation. "And how severe a whipping will this be bringing us?" Gwirion lowered his voice even though they were yards above the crowd. "This wedding is an invasion. She'll try to coerce us to join her Norman civilization." A loaded pause, and then he grinned. "If we're expected to become like her, why don't we just become her?" The two of them stood atop the king's tower, watching people mill about in anticipatory disarray around the ashes of the Beltane bonfires in the courtyard below. They descended the wooden stairs that hugged the stone curtain wall, bickering over the details of their plot, and began to scout for the bride's brother. He was a younger brother, named Thomas, and he was hardly in whiskers. Gwirion discovered him by the stables. The Fool's Tale A Novel . Copyright © by Nicole Galland. Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold. Excerpted from The Fool's Tale: A Novel of Medieval Wales by Nicole Galland All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.