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Summary
Summary
This sly, hilarious tale, The Skunk, brings together luminaries Mac Barnett and Patrick McDonnell for the first time.
An Entertainment Weekly Best Kids' Book
When a skunk first appears in the tuxedoed man's doorway, it's a strange but possibly harmless occurrence. But then the man finds the skunk following him, and the unlikely pair embark on an increasingly frantic chase through the city, from the streets to the opera house to the fairground. What does the skunk want? It's not clear--but soon the man has bought a new house in a new neighborhood to escape the little creature's attention, only to find himself missing something...
Author Notes
Mac Barnett is a New York Times bestselling author of books for children. His picture book Extra Yarn won a 2013 Caldecott Honor and the 2012 Boston Globe-Horn Book Award. He also writes the Brixton Brothers series of mystery novels. He co-wrote Battle Bunny with Jon Scieszka which was a New York Times bestseller. Barnettt's book, Sam and Dave Dig a Hole, illustrated by Jon Klassen, made the New York Times bestseller list in October 2014. It also won an E.B. White Read-Aloud Award 2015 in the picture book category.
(Bowker Author Biography)
Reviews (2)
School Library Journal Review
K-Gr 3-A man is stalked by a silent skunk in this charmingly neurotic offering. Leaving his home one day, a bespectacled, tuxedo-clad gentleman discovers a small skunk sitting on his doorstep. As the man makes his way about town, the creature remains close on his heels (".after a mile I realized I was being followed.") He speeds up, he slows down, he takes many wild turns, but to no avail. Still the skunk remains. Barnett's text is delivered in short, clipped sentences that convey the man's annoyance and increasing paranoia. McDonnell's distinctive pen-and-ink illustrations (the little skunk bears a striking resemblance to a couple of familiar mutts) harken back to classic comic strip humor, with expressive body language, dynamic action lines, and thoughtful compositions, creating tension and drama. The majority of the book uses a limited palette of black, peach, touches of red (notably for the skunk's oversized nose and the man's posh bow-tie), and smart use of white space. The man finally outruns his striped admirer, purchasing a new house in a different part of the city. He throws himself a fancy party with dancing and dessert. But he finds himself wondering about that skunk ("What was he doing? Was he looking for me?") Roles reverse and the pursued becomes the pursuer, as the man now slinks around corners and behind trees, surreptitiously following the skunk-who, on the last page, looks anxiously over his shoulder at the man. Why did the skunk follow the man initially? Is this a tale of regret and missed opportunities, a lesson on the dangers of letting potential friends slip away? Of not knowing what you've got 'til it's gone? Barnett and McDonnell offer no explanations, but invite readers to ponder the possibilities. Here's hoping this talented duo pair up for many more picture book collaborations. VERDICT Clever visual motifs, sly storytelling, and tight pacing make this a picture book that will be enjoyed by children and their grown-ups.-Kiera Parrott, School Library Journal (c) Copyright 2015. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publisher's Weekly Review
An impassive, red-nosed skunk-another inimitable McDonnell (A Perfectly Messed-Up Story) critter-appears on a man's doorstep. Why is it there? What does it want? And why does it keep following him no matter where he goes-even into the opera house and onto the head of an adjacent opera buff? No answer is forthcoming, so the man does what anyone in his desperate situation would do: he starts a new life in a different part of the city. And all is merry and bright (in fact, McDonnell's palette turns from almost monochromatic to kindergarten primary) until... well, let's just say it's possible to be emotionally as well as literally skunked. Barnett's (Battle Bunny) pokerfaced narration gives off a deliciously Hitchockian air of high style and deep-seated dread ("I'll admit that I began to panic. I ran past the wharf and turned down an alley. It was a dead end"), and the collaborators' refusal to wrap up with a cuddly reconciliation results in a story that speaks to the urbane existentialist/absurdist lurking in the heart of every reader. Ages 4-8. Author's agent: Steven Malk, Writers House. Illustrator's agent: Henry Dunow, Dunow, Carlson & Lerner. (Apr.) © Copyright PWxyz, LLC. All rights reserved.