Available:*
Item Barcode | Collection | Call Number | Status | Item Holds |
---|---|---|---|---|
33607003075564 | Picture Books | DELAPEN | Searching... Unknown | Searching... Unavailable |
Bound With These Titles
On Order
Summary
Summary
On Sundays, CJ and his nana ride the bus across town to their stop on Market Street. But today, CJ's not happy about it. Today, he's wondering out loud why they have to wait in the rain and why they don't have a car like his other friends. But it's Nana who opens young CJ's eyes and shows him the real beauty in the world around them - the spirit of the bustling city, the music in everyday life, and the magic of their often overlooked neighbors.
From award-winning talents Matt de la Pena and Christian Robinson comes a brilliant celebration of the love between a grandmother and her grandson.
Author Notes
Matt de la Peña is the Newbery Medal-winning author of Last Stop on Market Street . He is also the author of the award-winning picture books Carmela Full of Wishes , Love , and A Nation's Hope: The Story of Boxing Legend Joe Louis , and seven critically acclaimed young adult novels. Matt teaches creative writing and visits schools and colleges throughout the country. You can visit Matt at mattdelapena.com, or on Twitter and Instagram @mattdelapena.
Christian Robinson received a Caldecott Honor and a Coretta Scott King Illustrator Honor for his art in Last Stop on Market Street . He is the author and illustrator of the picture books Another and You Matter , and he has illustrated many more, including Carmela Full of Wishes , the Gaston and Friends series, School's First Day of School , and The Smallest Girl in the Smallest Grade . You can visit Christian at theartoffun.com, or follow him on Twitter @theartoffunnews and on Instagram @theartoffun.
Reviews (2)
School Library Journal Review
K-Gr 3-Winner of the 2016 Newbery Medal, as well as numerous other awards, this picture book by Matt de la Peña receives a lovely treatment in this video presentation. Arnell Powell reads the deceptively simple text, which follows CJ and his grandmother as they take the bus through their diverse neighborhood after church. CJ is not content with his lot (he wishes he was in a car instead), and he uses the opportunity to complain just a little. His grandmother, however, sees beauty around her and finds joy in small experiences, gradually helping CJ do the same. She teaches her grandson to be grateful and to enjoy what he has. Their final destination is, in itself, a lesson in counting your blessings: serving food at a soup kitchen. The book is warm and rich, and this video presentation, with its simple animation of Christian Robinson's blocky, expressive, and poignant illustrations, gives viewers the chance to savor every moment. It allows for a close examination of the small details of urban life-details that might be missed from a casual reading of the book itself. VERDICT This is a delightful treatment of a praiseworthy book and merits a place in any library serving children.-Teresa Bateman, Brigadoon Elementary, Federal Way, WA © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publisher's Weekly Review
Like still waters, de la Peña (A Nation's Hope) and Robinson's (Gaston) story runs deep. It finds beauty in unexpected places, explores the difference between what's fleeting and what lasts, acknowledges inequality, and testifies to the love shared by an African-American boy and his grandmother. On Sunday, CJ and Nana don't go home after church like everybody else. Instead, they wait for the Market Street bus. "How come we don't got a car?" CJ complains. Like many children his age, CJ is caught up in noticing what other people have and don't have; de la Peña handles these conversations with grace. "Boy, what do we need a car for?" she responds. "We got a bus that breathes fire, and old Mr. Dennis, who always has a trick for you." (The driver obliges by pulling a coin out of CJ's ear.) When CJ wishes for a fancy mobile music device like the one that two boys at the back of the bus share, Nana points out a passenger with a guitar. "You got the real live thing sitting across from you." The man begins to play, and CJ closes his eyes. "He was lost in the sound and the sound gave him the feeling of magic." When the song's over, the whole bus applauds, "even the boys in the back." Nana, readers begin to sense, brings people together wherever she goes. Robinson's paintings contribute to the story's embrace of simplicity. His folk-style figures come in a rainbow of shapes and sizes, his urban landscape accented with flying pigeons and the tracery of security gates and fire escapes. At last, CJ and Nana reach their destination-the neighborhood soup kitchen. Nana's ability to find "beautiful where he never even thought to look" begins to work on CJ as the two spot people they've come to know. "I'm glad we came," he tells her. Earlier, Nana says that life in the deteriorated neighborhood makes people "a better witness for what's beautiful." This story has the same effect. Ages 3-5. Agent: Steven Malk, Writers House. (Jan.) © Copyright PWxyz, LLC. All rights reserved.