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Item Barcode | Collection | Call Number | Status | Item Holds |
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33607003302380 | Juvenile Nonfiction | 920 CASTLE | Searching... Unknown | Searching... Unavailable |
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Summary
Summary
Caldecott Medal winner Allen Say brings his lavish illustrations and hybrid narrative and artistic styles to the story of artist James Castle.James Castle was born two months premature on September 25, 1899, on a farm in Garden Valley, Idaho. He was deaf, mute, autistic, and probably dyslexic. He didn't walk until he was four; he would never learn to speak, write, read, or use sign language.Yet, today Castle's artwork hangs in major museums throughout the world. The Philadelphia Museum of Art opened "James Castle: A Retrospective" in 2008. The 2013 Venice Biennale included eleven works by Castle in the feature exhibition "The Encyclopedic Palace." And his reputation continues to grow.Caldecott Medal winner Allen Say, author of the acclaimed memoir Drawing from Memory , takes readers through an imagined look at Castle's childhood, allows them to experience his emergence as an artist despite the overwhelming difficulties he faced, and ultimately reveals the triumphs that he would go on to achieve.
Author Notes
Allen Say was born in 1937 in Yokohama, Japan and grew up during the war, attending seven different primary schools amidst the ravages of falling bombs. His parents divorced in the wake of the end of the war and he moved in with his maternal grandmother, with whom he did not get along with. She eventually let him move into a one room apartment, and Say began to make his dream of being a cartoonist a reality. He was twelve years old.
Say sought out his favorite cartoonist, Noro Shinpei, and begged him to take him on as an apprentice. He spent four years with Shinpei, but at the age of 16 moved to the United States with his father. Say was sent to a military school in Southern California but then expelled a year later. He struck out to see California with a suitcase and twenty dollars. He moved from job to job, city to city, school to school, painting along the way, and finally settled on advertising photography and prospered. Say's first children's book was done in his photo studio, between shooting assignments. It was called "The Ink-Keeper's Apprentice" and was the story of his life with Noro Shinpei. After this, he began to illustrate his own picture books, with writing and illustrating becoming a sort of hobby. While illustrating "The Boy of the Three-year Nap" though, Say suddenly remembered the intense joy I knew as a boy in my master's studio and decided to pursue writing and illustrating full time.
Say began publishing books for children in 1968. His early work, consisting mainly of pen-and-ink illustrations for Japanese folktales, was generally well received; however, true success came in 1982 with the publication of The Bicycle Man, based on an incident in Say's life. "The Boy of the Three-Year Nap" published in 1988, and written by Dianne Snyder, was selected as a 1989 Caldecott Honor Book and winner of The Boston Globe-Horn Book Award for best picture book.
(Bowker Author Biography)
Reviews (2)
School Library Journal Review
Gr 3-7-In this fascinating longform "imagined" biography about James Castle, author-illustrator Say plays with artistic and literary formats. Castle was born deaf and premature in Idaho, was considered to be autistic and dyslexic, and was abused and bullied for his inability to speak or read. He was discouraged from creating art by his parents and principal, and had his art supplies confiscated and artworks destroyed many times, yet he still created a huge and compelling body of work. The biography is written from the perspective of Castle's nephew, Bob Beach, and the back matter provides detailed information about the artist and Say's connection to him. Say's art, inspired by the many styles of James Castle, vibrates on the page in a variety of media, including matchsticks, shoe polish, liquid laundry bluing, and cardboard, and he even switched hands to imitate Castle. Just as Castle's art leapt in styles and emotions, Say's work shows the trials of a beleaguered and prolific artist. VERDICT A phenomenal and profoundly artistic and biographical work.-Lisa Nowlain, Nevada County -Community Library, CA © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publisher's Weekly Review
Say (The Inker's Shadow) tells the haunting story of outsider artist James Castle, a deaf and autistic man whose talent was not recognized until late in his life. Narrating in the voice of Castle's nephew, Say describes how Castle was born in 1899 into an Idaho farm family with no resources to help their son. He never learned to speak or read; when upset, he shrieked uncontrollably. But he found consolation in drawing and made some 15,000 pictures, often with soot and sharpened sticks after teachers confiscated his drawing materials. Many of Castle's drawings accompany the story-blocky, sometimes surreal human figures and houses-and Say contributes pen-and-ink vignettes, drawings that mimic Castle's style, and anguished charcoal portraits of the bullying the man endured throughout his life. After living alone in outbuildings on family properties for decades, Castle at last came to the attention of local artists and gained some financial security. Say's moving portrait of Castle's work and life ("I think he was happy," he concludes) pays tribute to a man who was compelled to create despite the torments he underwent. Ages 8-12. (Oct.) © Copyright PWxyz, LLC. All rights reserved.