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Summary
Summary
In Lee Child's 13th Jack Reacher novel, former military police major and notorious drifter Jack Reacher grows suspicious of a fellow subway passenger as their train approaches Grand Central Station in New York City. As a shady situation develops, Reacher debates between intervening to save surrounding lives or avoiding the predicament in order to save his own.
Summary
New York City. Two in the morning. A subway car heading uptown. Jack Reacher, plus five other passengers. Four are okay. The fifth isn't.
In the next few tense seconds Reacher will make a choice-and trigger an electrifying chain of events in this gritty, gripping masterwork of suspense by #1 New York Times bestseller Lee Child.
Susan Mark was the fifth passenger. She had a lonely heart, an estranged son, and a big secret. Reacher, working with a woman cop and a host of shadowy feds, wants to know just how big a hole Susan Mark was in, how many lives had already been twisted before hers, and what danger is looming around him now.
Because a race has begun through the streets of Manhattan in a maze crowded with violent, skilled soldiers on all sides of a shadow war. Susan Mark's plain little life was critical to dozens of others in Washington, California, Afghanistan . . . from a former Delta Force operator now running for the U.S. Senate, to a beautiful young woman with a fantastic story to tell-and to a host of others who have just one thing in common: They're all lying to Reacher. A little. A lot. Or maybe just enough to get him killed.
In a novel that slams through one hairpin surprise after another, Lee Child unleashes a thriller that spans three decades and gnaws at the heart of America . . . and for Jack Reacher, a man who trusts no one and likes it that way, it's a mystery with only one answer-the kind that comes when you finally get face-to-face and look your worst enemy in the eye. From the Hardcover edition.
Author Notes
Lee Child is the pen name of Jim Grant, who was born in Coventry, England on October 29, 1954. He attended law school at Sheffield University, worked in the theater, and finally worked as a presentation director for Granada Television. After being laid off in 1995 because of corporate restructuring, he decided to write a book. The Killing Floor won the Anthony Award for Best First Novel and became the first book in the Jack Reacher series. In 2012, the first Jack Reacher film was released starring Tom Cruise. His book's, Worth Dying For and Past Tense, made the bestseller list in 2018.
(Bowker Author Biography)
Reviews (2)
Publisher's Weekly Review
All good thriller writers know how to build suspense and keep the pages turning, but only better ones deliver tight plots as well, and only the best allow the reader to match wits with both the hero and the author. Bestseller Child does all of that in spades in his 13th Jack Reacher adventure (after Nothing to Lose). Early one morning on a nearly empty Manhattan subway car, the former army MP notices a woman passenger he suspects is a suicide bomber. The deadly result of his confronting her puts him on a trail leading back to the Soviet war in Afghanistan in the 1980s and forward to the war on terrorism. Reacher finds a bit of help among the authorities demanding answers from him, like the NYPD and the FBI, as well as threats and intimidation. And then there are the real bad guys that the old pro must track down and eliminate. Child sets things up subtly and ingeniously, then lets Reacher use both strength and guile to find his way to the exciting climax. (May) (c) Copyright PWxyz, LLC. All rights reserved
Library Journal Review
When a young woman blows her brains out on a New York subway a few feet from Jack Reacher, he becomes understandably perturbed. His quest to find out why takes the large and lethal Clint Eastwood-like loner back to the Cold War and reveals a connection to presidential politics in this 13th Reacher novel (after Nothing to Lose), complete with cover-ups and numerous intriguing twists. The government is hiding something, and al Qaeda wants something-but what? All the while, goons from both sides assault and kidnap Reacher and two cops who are his companions. Reacher concludes that the Pentagon staffer who killed herself had some kind of information critical to national security. As the dead and injured pile up, the ever-resourceful and vengeful Reacher takes on nearly a score of the bad guys in an exciting climax to an enthralling book that is as satisfying as its predecessors. Highly recommended. [See Prepub Alert, LJ 1/09; coming in June is a debut thriller, Even (LJ 3/1/09), by Child's younger brother, Andrew Grant.-Ed.]-Robert Conroy, Warren, MI (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Excerpts
Excerpts
Chapter One Suicide bombers are easy to spot. They give out all kinds of tell-tale signs. Mostly because they're nervous. By definition they're all first-timers. Israeli counterintelligence wrote the defensive playbook. They told us what to look for. They used pragmatic observation and psychological insight and came up with a list of behavioral indicators. I learned the list from an Israeli amy captain twenty years ago. He swore by it. Therefore I swore by it too, because at the time I was on three weeks' detached duty mostly about a yard from his shoulder, in Israel itself, in Jerusalem, on the West Bank, in Leb anon, sometimes in Syria, sometimes in Jordan, on buses, in stores, on crowded sidewalks. I kept my eyes moving and my mind running free down the bullet points. Twenty years later I still know the list. And my eyes still move. Pure habit. From another bunch of guys I learned another mantra: Look, don't see, listen, don't hear. The more you engage, the longer you survive. The list is twelve points long if you're looking at a male suspect. Eleven, if you're looking at a woman. The difference is a fresh shave. Male bombers take off their beards. It helps them blend in. Makes them less suspicious. The result is paler skin on the lower half of the face. No recent exposure to the sun. But I wasn't interested in shaves. I was working on the eleven-point list. I was looking at a woman. I was riding the subway, in New York City. The 6 train, the Lexington Avenue local, heading uptown, two o'clock in the morning. I had gotten on at Bleecker Street from the south end of the platform into a car that was empty except for five people. Subway cars feel small and intimate when they're full. When they're empty they feel vast and cavernous and lonely. At night their lights feel hotter and brighter, even though they're the same lights they use in the day. They're all the lights there are. I was sprawled on a two-person bench north of the end doors on the track side of the car. The other five passengers were all south of me on the long bench seats, in profile, side on, far from each other, staring blankly across the width of the car, three on the left and two on the right. The car's number was 7622. I once rode eight stops on the 6 train next to a crazy person who talked about the car we were in with the same kind of enthusiasm that most men reserve for sports or women. Therefore I knew that car number 7622 was an R142A model, the newest on the New York system, built by Kawasaki in Kobe, Japan, shipped over, trucked to the 207th Street yards, craned onto the tracks, towed down to 180th Street and tested. I knew it could run two hundred thousand miles without major attention. I knew its automated announcement system gave instructions in a man's voice and information in a woman's, which was claimed to be a coincidence but was really because the transportation chiefs believed such a division of labor was psychologically compelling. I knew the voices came from Bloomberg TV, but years before Mike became mayor. I knew there were six hundred R142As on the tracks and that each one was a fraction over fifty-one feet long and a little more than eight feet wide. I knew that the no-cab unit like we had been in then and I was in now had been designed to carry a maximum of forty people seated and up to 148 standing. The crazy person had been clear on all that data. I could see for myself that the car's seats were blue plastic, the same shade as a late summer sky or a British Air Force uniform. I could see that its wall panels were molded from graffiti-resistant fiberglass. I could see its twin strips of advertisements running away from me where the wall panels met the roof. I could see small cheerful posters touting television shows and language instruction and easy college degrees and major earning opportunities. I could see a police notice advising me: If you see someth Excerpted from Gone Tomorrow by Lee Child All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.