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Summary
Summary
Deep in London's dangerous slums, Victorians transacted their most secret and shameful business. For a price, a man could procure whatever he wanted, but it happened now and then that the price he paid was his life. Now, in sunless Water Lane, respected solicitor Leighton Duff lies dead, kicked and beaten to death. Beside him lies the barely living body of his son, Rhys. The police cannot fathom these brutal assaults until shrewd investigator William Monk uncovers a connection between them and a series of rapes and beatings of local prostitutes. Then, shockingly, it begins to appear that young Rhys may have killed his own father. . . .
Author Notes
Anne Perry was born Juliet Hume on October 28, 1938 in Blackheath, London.
Sent to Christchurch, New Zealand to recover from a childhood case of severe pneumonia, she became very close friends with another girl, Pauline Parker. When Perry's family abandoned her, she had only Parker to turn to, and when the Parkers planned to move from New Zealand, Parker asked that Perry be allowed to join them. When Parker's mother disagreed, Perry and Parker bludgeoned her to death. Perry eventually served five and a half years in an adult prison for the crime.
Once she was freed, she changed her name and moved to America, where she eventually became a writer. Her first Victorian novel, The Cater Street Hangman, was published in 1979. Although the truth of her past came out when the case of Mrs. Parker's murder was made into a movie (Heavenly Creatures), Perry is still a popular author and continues to write. She has written over 50 books and short story collections including the Thomas Pitt series, the William Monk series, and the Daniel Pitt series. Her story, Heroes, won the 2001 Edgar Award for Best Short Story. Her title's Blind Justice and The Angel Court Affair made The New York Times Best Seller List.
(Bowker Author Biography)
Reviews (2)
Publisher's Weekly Review
Although lacking the panache of last year's Weighted in the Balance, William Monk's eighth outing adds to Perry's convincing yet disturbing picture of early Victorian London. Hired to find men whose evening entertainment runs to raping and beating prostitutes in the slum of St. Giles, Monk soon brushes up against murder: Leighton Duff, a respectable solicitor, was found beaten to death in St. Giles, with his son, Rhys Duff, nearby, barely alive. Despite his receiving excellent care from Hester Latterly, the nurse with whom Monk shares a volatile relationship, physical and emotional injuries have reduced Rhys to virtual silence: he can't speak and his hands are broken. Inquiries conducted by Monk and by the police suggest that Rhys was in the right place to beat the women (which interests police not at all) and murder Leighton (which interests them greatly). But, as in other Perry mysteries, it takes more than one perspective to reveal the truth, and Latterly maintains that Rhys, despite his displays of inarticulate rage, is innocent. When Latterly recruits barrister Sir Oliver Rathbone to Rhys's cause, and Sir Oliver naturally hires Monk to gather evidence, the investigator must question what he thinks he knows. Although the young man's silence and the suspicions surrounding him are ultimately resolved and tied neatly into the plot, readers may feel they are bearing the weight of this contrivance like so much overpacked luggage. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved
Library Journal Review
Prolific murder-mystery writer Perry has evaded the scientific precision of modern forensic fact-finding by weaving current-day issues and characters into a richly detailed Victorian-era milieu. One man is found murdered and another on the edge of death in the notorious London slum called St. Giles. Although it looks as if they may have engaged in a mortal fight, they are in fact father and son from a well-to-do family. Later, links develop between these men and a series of violent rapes of prostitutes. Hester Latterly, nurse and protector of the surviving son, Rhys, counterbalances detective William Monk in their mutual pursuit of the truth. By the novel's end, revelations of corruption and depravity break through the severe conventions of upper-class Victorian prudery in a dramatic courtroom scene. Perry followers and others will enjoy this new addition. Highly recommended.Michelle Foyt, Fairfield P.L., Ct. (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.