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Summary
Summary
In the early seventies, some of us were shot like stars from our parents' homes. This was an act of nature, bigger than ourselves. In the austere beauty and natural reality of Hell's Canyon of Eastern Oregon, one hundred miles from pavement, Pam, unable to identify with her parent's world and looking for deeper pathways has a chance encounter with returning Vietnam warrior Skip Royes. Skip, looking for a bridge from survival back to connection, introduces Pam to the vanishing culture of the wandering shepherd and together they embark on a four-year sojourn into the wilderness. From the back of a horse, Pam leads her packstring of readers from overlook to water crossing, down trails two thousand years old, and from the vantages she chooses for us, we feel the edges of our own experiences. It is a memoir of falling in love with a place and a man and the price extracted for that love.
Written with deep lyricism, Temperance Creek is a work of haunting beauty, fresh and irreverent and rooted in the grit and pleasure of daily life. This is Pam's story, but the courage and truth in the telling is part of our human experience. Seen through a slower more primary mirror, one not so crowded with objectivity, Pam's memoir, is a kind of home-coming, a family reunion for shooting stars.
Author Notes
Pamela Royes and her husband live in Joseph, Oregon and raise cattle and hay. They have two children and three grandchildren. She is currently working on a book of fiction.
Excerpts
Excerpts
Foreword by Teresa Jordan During her junior year of college, Pam Royes made a decision that everyone who knew her thought disastrous. She rode off into the wilderness -- literally, not metaphorically--with a Vietnam vet named Skip she had met only days before. Within weeks, she had suffered a bullet wound and watched her mare fall off a mountain. The story goes on from there, itself a cliffhanger, the sort of thriller where you find yourself saying over and over, "Don't go into the barn. Don't go into the barn." But go into the barn she does, repeatedly, and this is the story of the fallout of those many decisions. Wherever you think this might lead, I suspect you will be surprised, and I won't spoil it here. The story is a thriller but not a usual one, and among its many distinctions is the beauty of its prose, which renders the sensuality of a life lived in the wild and on the edge with tender amazement. As a form, the memoir has been around since Augustine wrote his confessions in the 4th century AD. It has ebbed and flowed in popularity and answered various purposes, from confession to redemption to excitement to exhibitionism to revenge. At its best, it is provocative and illuminating, and Temperance Creek is both. The field of evolutionary psychology posits that the ability to tell stories is an evolutionary advantage and may be one reason homo sapiens have survived where other hominids have not. Stories provide a way to learn from others' experiences and transmit information over distance and time. We remember information embedded in stories more accurately and in much greater detail than when we receive it simply as fact. As we throw ourselves into a story, we can try on other identities and experiment in an infinite number of environments within the relative safety of our own imaginations. Stories are so central to the human experience that Jonathan Gottschall, author of "The Storytelling Animal: How Stories Make Us Human," suggests that our species could as accurately be called homo fictus. The neuroscientist David Eagleman proposes that stories are as essential to our survival as our DNA. In other words, stories provide a user's manual for the world. This may be one reason that memoir has enjoyed ascendancy in the past three decades, a period of economic, social, political and environmental upheaval during which everything from gender identity to the weather has been in flux. It is said that fiction tells a truth while nonfiction tells the truth. As we know, truth is problematical. Memoir depends on memory and anyone who has ever told a story in the presence of a sibling or a spouse knows that memory is plastic and subjective. But as we try to find our sea legs on turbulent waters, we hunger to hear from those we sense we can trust who have returned from the storm. Trust is the key word. Over the past several years, the genre has suffered its share of scandals and embarrassments that have left devotees of the form feeling lied to, manipulated and wary. But then a story comes along that is earnest and fresh, an act of generosity rather than of ego, and we fall under its spell. It is not a spoiler to tell you that things turned out well for Pam Royes; the pleasure of her story comes in the unexpected turns along the way. The question that animates her recollection -- who was that young person, that stranger, who so long ago set out on the fateful journey that led to this moment in time? - is the smallest of queries and also the largest, and as we accompany this personal exploration of a most unusual life, we will undoubtedly have insight into our own. Excerpted from Temperance Creek: A Memoir by Pamela Royes All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.
Table of Contents
Foreword | p. xv |
Prologue: River Rising-Spring, 2015 | p. 1 |
Part 1 Daughter of the plains | |
Daughter of the Plains | p. 11 |
Mare's Tails | p. 19 |
What We Don't Say | p. 25 |
When I Ran Away | p. 29 |
Christmas 1975 | p. 37 |
Part 2 No country for fools | |
Wallowa Country | p. 47 |
Night Creek | p. 57 |
Confluence | p. 63 |
Junctions | p. 71 |
Hittin the Trail | p. 77 |
Making Camp | p. 85 |
What I Learned About Skip | p. 95 |
Rastling | p. 101 |
Rattle Creek | p. 103 |
Falling into Place | p. 115 |
Temperance Creek | p. 123 |
Marking Corrals | p. 129 |
Minding the Starter | p. 141 |
No Country for Fools | p. 149 |
Haying and a River Crossing | p. 155 |
Part 3 Mixed blessings | |
Idaho | p. 165 |
The Horse Ranch | p. 177 |
Snowed In | p. 187 |
The High Mountains | p. 191 |
Travels with John Daniels | p. 201 |
The Murmur of Small Things | p. 205 |
Duck Creek | p. 213 |
Something to Do With Trust | p. 225 |
Cowboys and Sheepherders | p. 233 |
A Visit Home | p. 247 |
Counting Sheep | p. 259 |
Bum Count | p. 267 |
Mixed Blessings | p. 275 |
A Letter from Home | p. 285 |
Camp Fire Stories | p. 295 |
Christmas on Pony Bar | p. 301 |
Part 4 Finding home | |
Winter Camp | p. 313 |
Use It or Lose It | p. 323 |
Hand Rolled | p. 327 |
Apple Cider Blues | p. 331 |
Matters of Survival | p. 337 |
Hitched | p. 343 |
Round Two | p. 355 |
Good Medicine | p. 361 |
Caught Out in the Dark | p. 371 |
A Tentative Embrace | p. 373 |
Unfamiliar Country | p. 379 |
Sodbusters | p. 383 |
Bridge Building | p. 389 |
Every Other Darn Thing | p. 395 |
Epilogue: Down to the River-Fall, 2015 | p. 399 |
Acknowledgements | p. 407 |