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Summary
Summary
SOON TO BE A NETFLIX ORIGINAL FILM DIRECTED BY CHARLIE KAUFMAN
AN NPR BEST BOOK OF THE YEAR 2016
" I'm Thinking of Ending Things is one of the best debut novels I've ever read. Iain Reid has crafted a tight, ferocious little book, with a persistent tenor of suspense that tightens and mounts toward its visionary, harrowing final pages" (Scott Heim, award-winning author of Mysterious Skin and We Disappear ) .
You will be scared. But you won't know why...
I'm thinking of ending things. Once this thought arrives, it stays. It sticks. It lingers. It's always there. Always.
Jake once said, "Sometimes a thought is closer to truth, to reality, than an action. You can say anything, you can do anything, but you can't fake a thought."
And here's what I'm thinking: I don't want to be here.
In this smart, suspenseful, and intense literary thriller, debut novelist Iain Reid explores the depths of the human psyche, questioning consciousness, free will, the value of relationships, fear, and the limitations of solitude. Reminiscent of Jose Saramago's early work, Michel Faber's cult classic Under the Skin , and Lionel Shriver's We Need to Talk about Kevin , I'm Thinking of Ending Things is an edgy, haunting debut. Tense, gripping, and atmospheric, this novel pulls you in from the very first page...and never lets you go.
Author Notes
Iain Reid is the author of two critically acclaimed, award-winning books of nonfiction. His internationally bestselling debut novel, I'm Thinking of Ending Things , has been published in more than twenty countries. Oscar-winner Charlie Kaufman is writing and directing a film based on the novel, which Reid will co-produce. His second novel, Foe , was an instant bestseller and feature film rights have been acquired by Anonymous Content, with Reid set to executive produce. Follow him on Twitter @Reid_Iain.
Reviews (2)
Publisher's Weekly Review
Nonfiction author Reid (The Truth About Luck) fuses suspense with philosophy, psychology, and horror in his unsettling first novel set in an unspecified locale. When Jake takes his unnamed new girlfriend to meet his parents, he doesn't realize she's thinking of "ending things" (just what she might end is at first unclear). Dinner at the family farm proves awkward, reinforcing her doubts about their relationship. On their way home, the weather turns nasty and Jake pulls off the road at a darkened high school. He takes the keys and exits the car, but never returns, leaving his girlfriend little choice but to strike out after him. While the events preceding the couple's separation have the air of a disquieting dream, those that follow are the stuff of nightmares. Stream-of-consciousness narration by Jake's girlfriend adds to the story's surreal quality, and occasional blocks of unattributed dialogue about an unspecified tragedy impart dread. Capped with an ending that will shock and chill, this twisty tale invites multiple readings. Agent: Samantha Haywood, Transatlantic. (June) © Copyright PWxyz, LLC. All rights reserved.
Library Journal Review
It's snowing, and the unnamed narrator is traveling with her new boyfriend Jake to visit his parents at the family farm. The novel's vague title seems to become clearer as the narrator repeatedly ponders calling off their relationship. While this revelation may not have arrived at the best of times, it's quickly apparent that a failed relationship is the least of her problems. When the couple arrives at their destination, Jake's parents are awkward, and the evening goes from strange to unsettling as the narrator explores the setting of Jake's childhood. When the pair drive home, the weather takes a turn for the worse. Jake turns off the highway and parks by an empty high school. He goes inside, leaving the narrator alone and frightened. When she enters the building, her vague sense of foreboding turns into outright terror. Interspersed throughout are snatches of conversation about some unknown act of violence that only heightens the feeling of unease. VERDICT This slim first novel packs a big psychological punch with a twisty story line and an ending that will leave readers breathless. [See Prepub Alert, 11/30/15; previewed in Erica Neubauer's 2016 Mystery Preview "Edge-of-Your-Seat Thrills," LJ 4/15/16.]-Portia Kapraun, Delphi P.L., IN © Copyright 2016. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Excerpts
Excerpts
I'm Thinking of Ending Things I'm thinking of ending things. Once this thought arrives, it stays. It sticks. It lingers. It dominates. There's not much I can do about it. Trust me. It doesn't go away. It's there whether I like it or not. It's there when I eat. When I go to bed. It's there when I sleep. It's there when I wake up. It's always there. Always. I haven't been thinking about it for long. The idea is new. But it feels old at the same time. When did it start? What if this thought wasn't conceived by me but planted in my mind, predeveloped? Is an unspoken idea unoriginal? Maybe I've actually known all along. Maybe this is how it was always going to end. Jake once said, "Sometimes a thought is closer to truth, to reality, than an action. You can say anything, you can do anything, but you can't fake a thought." You can't fake a thought. And this is what I'm thinking. It worries me. It really does. Maybe I should have known how it was going to end for us. Maybe the end was written right from the beginning. Excerpted from I'm Thinking of Ending Things: A Novel by Iain Reid All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.