Available:*
Item Barcode | Collection | Call Number | Status | Item Holds |
---|---|---|---|---|
33607003223909 | Juvenile Fiction | EPHRON | Searching... Unknown | Searching... Unavailable |
Bound With These Titles
On Order
Summary
Summary
In the tradition of Edward Eager and E.L. Konigsburg, a novel about the excitement-and the dangers-of wishing.
Tess and her brother, Max, are sent for the summer to their aunt's sleepy village in the English countryside, where excitement is as rare as a good wifi signal. So when Tess stumbles upon an old brass key that unlocks an ornately carved gate, attached to a strangely invisible wall, she jumps at the chance for adventure. And the world beyond the gate doesn't disappoint. She finds rose gardens, a maze made of hedges, and a boy named William who is just as lonely as she is.
But at William's castle, strange things begin to happen. Carnival games are paid for in wishes, dreams seem to come alive, and then there's William's eerie warning- Beware of the hawthorn trees. A warning that chills Tess to the bone.
In a magical, fantasy world that blurs the line between reality and imagination, readers are left to wonder exactly what they'd wish for if wishes could come true. Perfect for fans of Half Magic and The Secret Garden- and for anyone who's ever wondered if magic is real.
For the further adventures of Tess and Max, be sure to check out Amy Ephron's Carnival Magic !
Praise for The Castle in the Mist -
"Bursting with imagination and warmth, Amy Ephron's first novel for young people is a magical book in all ways."-Holly Goldberg Sloan, New York Times bestselling author of Counting by 7s
"This beautiful story's quiet, peaceful tone nicely evokes both the serenity of country life and the haunting magic of the castle, and the emotional heft of Tess and Max's separation from their parents, as well as their strong bond, keeps the tale firmly grounded in reality. Perfect for middle-graders who love classic fantasy."- Booklist
"Rich description of the castle along with an elaborate map at the book's beginning and an illustration at the end enhance the fantasy world....A sequel is suggested; beguiled readers will hope it happens."- Kirkus Reviews
"There are scenes...that are transcendent in their beautiful, ethereal descriptions in this uplifting novel about family and connection."- BCCB
"A slightly darker, updated take on magical realism classics such as Edward Eager's Half Magic and E. Nesbit's The Enchanted Castle ."- School Library Journal
"A near-perfect 9....This book defies gravity because it's hard to put down!"- Time for Kids , kid reporter
Author Notes
Born in Beverly Hills, Calif., in 1955, Amy Ephron is the author of such popular novels as Cool Shades, Bruised Fruit, and Biodegradable Soap that primarily take as their subject the upscale, trendy Los Angeles lifestyle. She has also written A Cup of Tea, which is based on a short story by Katherine Mansfield. In a departure from her other fiction, this is a historical novel, set in New York City at the time of World War I.
Ephron has worked as a reporter for Scanlon's Monthly and as a production vice president at Columbia Pictures. She has also been a screenwriter, most notably for the film A Little Princess. She is a founding editor of L.A. Style, a contributing editor of Buzz, and a contributor to National Lampoon, Realist, and L.A. Times Magazine.
Writing runs in Amy Ephron's family: her parents are both screenwriters, and her sisters, Delia and Nora, are also authors.
(Bowker Author Biography)
Reviews (2)
School Library Journal Review
Gr 5-7-Tess and her younger brother Max are spending the summer with their widowed aunt in a small English village. Their mother is recuperating from a serious illness at home in the United States while their father is on assignment as a journalist covering the war in Afghanistan. While out walking one afternoon, Tess finds a peculiar key that opens an unusual gate. On the other side she meets William and finds a castle with a carousel, a garden, and more. Tess later returns to the castle with her brother during a blue moon, when magic, history, and mystery thrive. The tale is dramatically read by Laraine Newman. Plausible English and Irish accents are used when appropriate to enhance characterization and setting. The drama is heightened by the narrator's effective pacing. VERDICT Ultimately, the families of both past and present are reunited in this satisfying though rather contrived saga. For those seeking a more intense take on the magical realism genre. ["A slightly darker, updated take on magical realism classics": SLJ 1/17 review of the Philomel book.]--Maria B. Salvadore, formerly at District of Columbia Public Library © Copyright 2017. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publisher's Weekly Review
Eleven-year-old Tess and her younger brother, Max, are having trouble entertaining themselves while spending the summer with their Aunt Evie in the English countryside. Then one day Tess stumbles upon an old rusty key that unlocks an ornate gate near her aunt's house. She and Max enter through the gate and follow a long path, on which they encounter a strange but friendly boy named William. As Tess and Max spend more time with William, they cross over into a world that is wholly different than their own. Actor Newman's versatile and lively reading will capture the minds of young listeners. She provides distinct character voices and keeps the prose exciting and engaging. Her vocal stylings and emphatic declarations capture the surreal mood of the story while upping its entertainment value. Ages 8-12. A Philomel hardcover. (Feb.) © Copyright PWxyz, LLC. All rights reserved.
Excerpts
Excerpts
Tess and her brother Max had had a fight the day before. Over nothing. It was always over nothing. They were playing Monopoly. The British version because that was all Evie had in the house besides Scrabble. Tess was winning. Tess had three hotels and she rolled double sixes, for the second time in a row, and Max had thrown the board at her. Well, not really at her but in her direction... Tess got mad, too. But rather than having a fight with him, she'd stormed off on her own into the back garden and kept on walking. Tess never could stay mad at Max for more than half an hour but it was nice to be outside, the air was fresh, and so, she continued walking up the path to where the pear and plum trees were planted on the hill. She stopped and ate a plum and then was surprised to see the path continued beyond the small orchard. She kept on walking, higher and higher. The path stopped at a moment, dead-ended against a hill, but then she took the narrow trail to the right and there was a clear view across a field of tall grass sprinkled with wild flowers. Tess didn't know why she'd never been up here before. She walked across the small meadow, back onto a path, and up the hill which was now becoming almost rocky as if she'd happened onto a cliff. Off to her left, she could see something she'd never seen before, certainly it wasn't visible from the main road she didn't think. It was an old house, ancient maybe, well, house might not be the right word as it looked awfully large, but it was hard to tell since it seemed as if it was covered in a cloud of mist. She stopped on the path for a moment, struck by the image of what looked like a castle in the mist, so startling and yet so still, almost if it was a painting. There seemed to be steps in the cliff-side, carved into the rock, and Tess followed them, slowly. She stopped to look back for a moment. She could see the top of her Aunt's house seemingly far in the distance. She realized she might have walked further than she'd thought. And then the path stopped and there was just the face of a rocky hill above her. She turned to the left and saw a tangled rose bush; its tiny pink flowers reminded her of her mother's garden in their small country house on Long Island. She sat down on the highest step and looked out over the dark green moors, seemingly endless grass, and what looked like a herd of cows which must be the dairy farm a half a mile down the road from Aunt Evie's. They would go there to get eggs and cream for the week and farmers' cheese if he'd made any. They always went to the dairy farm on Mondays. Her Aunt said it was a good thing to have a bit of a schedule, especially if you lived alone. Tess stood up and realized she was a little out of breath from the climb or else she was up so high, the air was thin. She looked again at the tangled rose bush and was surprised to find, just next to it, a wooden gate that was carved. It looked a little like a gingerbread cookie with a funny symbol in the middle, not quite like a heart, more like a coat of arms. The curious thing about the gate though was it didn't seem attached to a fence. Tess had noticed that about England - people weren't as big on fences as they were in America - everything wasn't all closed in. She'd asked her Aunt about it. Evie had thought it had something to do with old horse trails that linked the neighborhood together and the fact that the houses were so far away from one another. Tess hadn't pressed her on this but she did wonder if there wasn't a stable nearby and one day her Aunt might let them take a riding lesson or at least go out on a ride. Tess loved horses and the way it felt to to be up on one. Max wasn't as keen on it, so she hadn't suggested it yet. Still, it was curious that there was a gate and there wasn't any fence. She thought she might as well just walk around it. She was surprised when she tried. It was as if she'd hit a flat surface. First her toe banged into it and then her shoulder. But there wasn't anything there. Not anything you could see, anyway. She took a step back and put her hand out. It had a smooth surface, cold, almost like polished marble. But there wasn't anything there that she could see and she couldn't quite see through it either. Like an invisible wall. It was very odd. She walked down to the other side of the gate and tried again. But once again, her toe hit the wall and then she bumped it with her elbow. Something didn't want to let her in. She traced that side with her hand as well, and well it was curious... She was a little frightened. It didn't make a lot of sense. She wondered if she might have had too much sun and she was imagining things. If she'd had any sense, she probably would've run back down the path to her Aunt's house where everything was just as it was supposed to be. The gate itself was also odd. It was a carved wooden gate but it didn't have a latch or a keyhole and its surface was flat, no edges of wood to get a foot on so that you could try to climb over it. It was just high enough so that no amount of jumping could get her to reach the top -- not that she was enough of a gymnast to have hoisted herself over it if it did, and if she could, she wondered how she would ever get back... She was just about to give up when she looked down and saw a round piece of metal, almost like an iron ring, buried in the dirt. She leaned down and using her t-shirt like a glove, clawed at the dirt and pulled out what looked like an old skeleton key. She knew instantly it was the key to the gate. But then she had what her Dad would call a dilemma. If she'd found the key to someone's "house," did it mean she had the right to use it? Well, it wasn't really the key to the house, she reasoned, it was just the key to the gate. And if there were dogs on the other side, they would've been barking already. She brushed off the key as best she could completely forgetting that there wasn't any keyhole to put it in. It was as if she was compelled to try it. She held the key up to the gate and then realized how ridiculous that was, but as the key neared the place where the keyhole should've been, the rust flashed away in an instant - she swore she saw sparks - and the gate seemed to lighten as if it had been built in this century after all. It was almost as if it was a magnet, or two sides of a magnet anyway, as her hand pushed the key into a shiny brass keyhole that appeared out of nowhere. She was a little frightened now but the gate swung open before she could even turn the key... She could see a pond, the water pale blue, with white swans in it and what seemed like water lilies growing around the banks. There were hedges in the distance, staggered in lines, that reminded her of the maze at Hampton Court. She wondered if it was a maze. The hydrangeas were blooming, their lush white flowers looked like pom poms. It was definitely somebody's estate. And now she was worried that the invisible "wall" on either side of the gate was like an electrified fence or something - her father had told her about those - and she really shouldn't be there, at all. But before she could shut the gate and run back down the hill, a voice called out, "Helllo-o." There was a boy who looked to be almost her age kicking a yellow ball practicing soccer moves. He stopped the ball adeptly between his feet and called out again, "Hello." And then he added the strangest thing, "I've been expecting you." Excerpted from The Castle in the Mist by Amy Ephron All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.