School Library Journal Review
Gr 9 Up--The question of freedom in all its varied senses weave throughout this stunning historical novel. Libertie, a dark-skinned girl, was born free in post--Civil War Brooklyn. Her light-skinned mother (based on a real-life figure) worked to help with the Underground Railroad and as a doctor, a practice she expects Libertie to take over. But after spending time at an all-Black girls school, Libertie finds herself drawn away from science and towards music. Searching for a freedom to call her own, Libertie agrees to marry a Haitian man who claims that in Haiti, she will be treated as his equal. However, she is startled to discover that even there, she is expected to be subordinate. She struggles with this new life for herself, questioning her decision to give up the potential for a more independent life alongside her mother in Brooklyn. Woven through Libertie's coming of age is her growing understanding of colorism, classism, racism, and patriarchy as she struggles to define what being free means for a Black woman. This engaging novel immerses readers in a world rich with historical detail that brings to life lesser-known aspects of post--Civil War American history, such as Black women in medicine and the relationship between Haiti and the United States. VERDICT This will appeal to teenage fans of adult authors like Toni Morrison, Brit Bennett, and Yaa Gyasi.--Ann Foster, Saskatoon P.L., Sask.
Publisher's Weekly Review
Greenidge (We Love You, Charlie Freeman) delivers another genius work of radical historical fiction. Libertie Sampson, a freeborn Black girl in Reconstruction-era Brooklyn, is pushed by her mother, a doctor, to follow in her footsteps. But Libertie, whose day-to-day experience differs from her mother due to her darker skin, is more interested in music and wants to follow her own path. In her poetic narration, she gives testimony to the injustices of white supremacy she witnesses and reflects on colorism, "colorstruck" misogyny, and the potential shackles of marriage, all the while turning over the question of what freedom is. When her mother insists on treating the same white women who recoil at Libertie's dark skin, she believes her mother "gave up co-conspirators for customers." Desperate to secure a future for Libertie, her mother sends her off to Cunningham College in Ohio, but Libertie turns away from her studies after she meets fellow students Experience and Louisa: "When I sang with them, my whole history fell away. There was no past, no promised future, only the present of one sustained note." After Libertie is kicked out of Cunningham, she schemes to bring Experience and Louisa to Brooklyn and sing for the Black community. But her road gets rockier, and a marriage proposal from a Haitian man brings mixed blessings, leading her to continue reflecting on the limits of freedom for a Black woman. This pièce de résistance is so immaculately orchestrated that each character, each setting, and each sentence sings. (Mar.)
Library Journal Review
Greenidge, who struck gold with her debut novel, We Love You, Charlie Freeman, returns with a novel reimagining the life of Dr. Susan Smith McKinney Steward, the first Black female doctor in New York State, and her daughter, Libertie. As she grows up, Libertie, who narrates, recognizes constraints on her freedom yet discovers new possibilities in Reconstruction-era United States and Haiti.