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Summary
Summary
Barbarian Days is William Finnegan's memoir of an obsession, a complex enchantment. Surfing only looks like a sport. To initiates, it is something else entirely: a beautiful addiction, a demanding course of study, a morally dangerous pastime, a way of life. Raised in California and Hawaii, Finnegan started surfing as a child. He has chased waves all over the world, wandering for years through the South Pacific, Australia, Asia, Africa. A bookish boy, and then an excessively adventurous young man, he went on to become a distinguished writer and war reporter. Barbarian Days takes us deep into unfamiliar worlds, some of them right under our noses--off the coasts of New York and San Francisco. It immerses the reader in the edgy camaraderie of close male friendships annealed in challenging waves.
Finnegan shares stories of life in a whites only gang in a tough school in Honolulu even while his closest friend was a Hawaiian surfer. He shows us a world turned upside down for kids and adults alike by the social upheavals of the 1960s. He details the intricacies of famous waves and his own apprenticeships to them. Youthful folly--he drops LSD while riding huge Honolua Bay, on Maui--is served up with rueful humor. He and a buddy, their knapsacks crammed with reef charts, bushwhack through Polynesia. They discover, while camping on an uninhabited island in Fiji, one of the world's greatest waves. As Finnegan's travels take him ever farther afield, he becomes an improbable anthropologist: unpicking the picturesque simplicity of a Samoan fishing village, dissecting the sexual politics of Tongan interactions with Americans and Japanese, navigating the Indonesian black market while nearly succumbing to malaria. Throughout, he surfs, carrying readers with him on rides of harrowing, unprecedented lucidity.
Barbarian Days is an old-school adventure story, an intellectual autobiography, a social history, a literary road movie, and an extraordinary exploration of the gradual mastering of an exacting, little understood art. Today, Finnegan's surfing life is undiminished. Frantically juggling work and family, he chases his enchantment through Long Island ice storms and obscure corners of Madagascar.
Author Notes
William Finnegan has been a staff writer at The New Yorker since 1987 and won two Overseas Press Club awards since 2009. He has written several books including Cold New World, A Complicated War, Dateline Soweto, and Crossing the Line. In 2016, he won the Pulitzer Prize for biography for Barbarian Days: A Surfing Life.
(Bowker Author Biography)
Reviews (2)
Publisher's Weekly Review
In this panoramic and fascinating memoir, long-time New Yorker staff writer Finnegan pays tribute to the ancient art of surfing. Arriving on Oahu from California at 13, in the mid-1960s, Finnegan discovered that Hawaiian public school students weren't particularly welcoming to haoles; surfing brought him acceptance and contentment, and would remain central to his life for the next half century. In the late 1970s, he set out in pursuit of a perfect wave, and spent five years circumnavigating the globe with long stops in Polynesia, Australia, Thailand, Indonesia, and South Africa. The social inequality he witnessed led him to journalism, but after his return to the U.S. and fatherhood, the waves still beckoned, even if that meant enduring a January swell off Long Island. Throughout this lengthy work, Finnegan never loses sight of the marginalized, such as the black students he taught in apartheid South Africa. Yet the core of the book is a surfing chronicle, and Finnegan possesses impeccable short-board bona fides. As a middle-aged, professionally successful man, he grapples with his aging body and the contradictions of surfing's commodification, at one point returning as a high-end tourist to a wave he pioneered as a penniless kid. Surfing (mostly) remains a man's world, and Finnegan's attempts to mention the women he loved seem like afterthoughts. Nevertheless, he has written a revealing and magisterial account of a beautiful addiction. (July) © Copyright PWxyz, LLC. All rights reserved.
Library Journal Review
Finnegan (staff writer, The New Yorker; Cold New World) recounts his experiences as a surfer, beginning with his teen years surfing in Hawaii, covering his globe-trotting search for the perfect wave, and concluding with his current lifestyle fitting waves in between work and family. Traveling to Samoa, Fiji, South Africa, and Madeira among other places, Finnegan chronicles the obsession that drives surfers like himself to take on the dangers of sharks, wipeouts, and near drowning all in pursuit of the heightened experience that surfing provides. The constants flowing through this part coming-of-age story and part travelog are the ocean and the waves that the author tries to better understand. The result is an up-close and personal homage to the surfing lifestyle through the author's journey as a lifelong surfer. Finnegan's writing is polished and bold, but the lengthy descriptions of individual waves and their personalities may be daunting to the average reader. -VERDICT This high-caliber memoir will best appeal to audiences with an interest in surfing. [See Prepub Alert, 1/25/15.]-Stacy Shaw, Orange, CA © Copyright 2015. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Excerpts
Excerpts
From Barbarian Days by William Finnegan. Reprinted by arrangement with Penguin Press, a member of Penguin Group (USA) LLC, A Penguin Random House Company. Copyright © William Finnegan, 2015. At the post office in Nuku'alofa, I tried to send my father a telegram. It was 1978, his fiftieth birthday. But I couldn't tell if the message actually went through. Did anyone back home even know what country we were in? I wandered down a road of half-built cinderblock houses. There was a strange, philosophical graffito: ALL OUTER PROGRESS PRODUCE CRIMINAL. I passed a graveyard. In the cemeteries in Tonga, late in the day, there always seemed to be old women tending the graves of their parents--combing the coral-sand mounds into the proper coffin-top shape, sweeping away leaves, hand washing faded wreaths of plastic flowers, rearranging the haunting patterns of tropical peppercorns, orange and green on bleached white sand. A shiver of secondhand sorrow ran through me. And an ache of something else. It wasn't exactly homesickness. It felt like I had sailed off the edge of the known world. That part was actually fine with me. The world was mapped in so many different ways. For worldly Americans, the whole globe was covered by the foreign bureaus of the better newspapers. But the truth was, we were wandering now through a world that would never be part of any correspondent's beat. It was full of news, but all of it was oblique, mysterious, important only if you listened and watched and felt its weight. On the ferry here, I had ridden on the roof with three boys who said they planned to see every kung-fu and cowboy and cop movie playing at the three cinemas in Nuku'alofa until their money ran out. One boy, thin and laughing and fourteen, told me that he had quit school because he was "lazy." He had a Japanese comic book that got passed around the ferry roof. The book was a bizarre mashup: cutesy children's cartoons, hairy-armed war stories, nurse-and-doctor soap opera, graphic pornography. A ferry crewman frowned when he got to the porn, tore each page out, crumpled it, and threw it in the sea. The boys laughed. Finally, with a great bark of disgust, the sailor threw the whole book in the water, and the boys laughed harder. I watched the tattered pages float away in a glassy lagoon. I closed my eyes. I felt the weight of unmapped worlds, unborn language. I knew I was chasing something more than waves. So the sadness of the obscure graveyard, of unforgotten elders buried under sand made my chest tight. It seemed to mock this whole vague childish enterprise. Still, something beckoned. Maybe it was Fiji. Excerpted from Barbarian Days: A Surfing Life by William Finnegan All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.