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Summary
Summary
Louis L'Amour takes William Tell Sackett on a treacherous passage from the Arizona goldfields to the booming town of Los Angeles.
Tell Sackett was no ladies' man, but he could spot trouble easily enough. And Dorinda Robiseau was the kind of trouble he wanted to avoid at any time-even more so when he had thirty pounds of gold in his saddlebags and a long way to travel. But when she begged him for safe passage to Los Angeles, Sackett reluctantly agreed. Now he's on a perilous journey through the most brutal desert on the continent, traveling with a companion he doesn't trust . . . and headed for a confrontation with a deadly gunman who also bears the name of Sackett.
Author Notes
Born in Jamestown, North Dakota on March 22, 1908, Louis L'Amour's adventurous life could have been the subject of one of his novels. Striking out on his own in 1923, at age 15, L'Amour began a peripatetic existence, taking whatever jobs were available, from skinning dead cattle to being a sailor. L'Amour knew early in life that he wanted to be a writer, and the experiences of those years serve as background for some of his later fiction. During the 1930s he published short stories and poetry; his career was interrupted by army service in World War II. After the war, L'Amour began writing for western pulp magazines and wrote several books in the Hopalong Cassidy series using the pseudonym Tex Burns.
His first novel, Westward the Tide (1950), serves as an example of L'Amour's frontier fiction, for it is an action-packed adventure story containing the themes and motifs that he uses throughout his career. His fascination with history and his belief in the inevitability of manifest destiny are clear. Also present and typical of L'Amour's work are the strong, capable, beautiful heroine who is immediately attracted to the equally capable hero; a clear moral split between good and evil; reflections on the Native Americans, whose land and ways of life are being disrupted; and a happy ending. Although his work is somewhat less violent than that of other western writers, L'Amour's novels all contain their fair share of action, usually in the form of gunfights or fistfights.
L'Amour's major contribution to the western genre is his attempt to create, in 40 or more books, the stories of three families whose histories intertwine as the generations advance across the American frontier. The novels of the Irish Chantry, English Sackett, and French Talon families are L'Amour's most ambitious project, and sadly were left unfinished at his death. Although L'Amour did not complete all of the novels, enough of the series exists to demonstrate his vision.
L'Amour's strongest attribute is his ability to tell a compelling story; readers do not mind if the story is similar to one they have read before, for in the telling, L'Amour adds enough small twists of plot and detail to make it worth the reader's while. L'Amour fans also enjoy the bits of information he includes about everything from wilderness survival skills to finding the right person to marry. These lessons give readers the sense that they are getting their money's worth, that there is more to a L'Amour novel than sheer escapism. With over 200 million copies of his books in print worldwide, L'Amour must be counted as one of the most influential writers of westerns in this century. He died from lung cancer on June 10, 1988.
(Bowker Author Biography)
Excerpts
Excerpts
Chapter One When I saw that black-eyed woman a-looking at me I wished I had a Bible. There I was, a big raw-boned mountain boy, rougher than a cob and standing six feet three inches in my socks, with hands and shoulders fit to wrassle mustang broncs or ornery steers, but no hand with womenfolks. Nobody ever claimed that I was anything but a homely man, but it was me she was looking at in that special way she had. Where we Sacketts come from in the high-up mountains of Tennessee, it is a known thing that if you sleep with a Bible under your pillow it will keep you safe from witches. Before they can do aught to harm you they must count every word in the Bible, and they just naturally can't finish that before daybreak, when they lose their power to hurt. Yet when I taken a second look at that black-eyed, black-haired woman I thought maybe it was me should do the counting. She was medium tall, with a way about her that set a man to thinking thoughts best kept to himself. She had the clearest, creamiest skin you ever did see, and a mouth that fairly prickled the hair on the back of your neck. Most of my years I'd spent shying around in the mountains or out on the prairie lands, with no chance to deal myself any high cards in society, but believe me, there's more snares in a woman's long lashes than in all the creek bottoms of Tennessee. Every time I taken my eyes from that black-haired witch woman it was in me to look back. My right boot-toe was nudging the saddlebags at my feet, warning me I'd no call to take up with any woman, for there were thirty pounds of gold in those bags, not all of it mine. The worst of it was, I figured things were already shaping for trouble. Three days hard-running I'd seen dust hanging over my back trail like maybe there was somebody back there who wanted to keep close to me without actually catching up. And that could only mean that trouble lay ahead. Now, I'm no man who's a stranger to difficulty. No boy who walked out of Tennessee to fight for the Union was likely to be, to say nothing of all that had happened since. Seemed like trouble dogged my tracks wherever I put a foot down, and here was I, heading into strange country, running into a black-eyed woman. She sat alone and ate alone, so obviously a lady that nobody made a move to approach her. This was a rough place in rough times, but a body would have thought she was setting up to table in Delmonico's or one of those fancy eastern places, her paying no mind to anything or anybody. Except, occasionally, me. She wasn't all frills and fuss like a fancy woman, for she was dressed simple, but her clothes were made from rich goods. Everything about her warned me I'd best tuck in my tail and skedaddle out of there whilst I was able, for trouble doesn't abide only with fancy women. Even a good woman, with her ways and notions, can cause a man more trouble than he can shoot his way out of, and I'd an idea this here was no good woman. Trouble was, there just was no place to run to. Hardyville was little else but a saloon, a supply store, and a hotel at the crossing of the Colorado. Most of the year it was the head of navigation on the river, but there had been a time or two when steamboats had gone on up to the mines in Eldorado Canyon, or even to Callville. Come daybreak, I figured to cross the river on the first ferry and take out for the Bradshaw Road and Los Angeles, near the western ocean. It was talked among the Arizona towns that speculators out there would pay eighteen, maybe twenty dollars an ounce for gold, whilst in the mining camps a body could get but sixteen. It was in my mind to sell my gold in Los Angeles, buy goods and mules, pack across the Mojave Desert and the Colorado, and sell my goods in the mining towns. With luck I'd show profit on my gold, and on my goods as well. Nobody ever claimed I was any kind of a busi Excerpted from Mojave Crossing by Louis L'Amour All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.