Available:*
Item Barcode | Collection | Call Number | Status | Item Holds |
|---|---|---|---|---|
| 33607003104216 | Adult Fiction | DEFOE | Searching... Unknown | Searching... Unavailable |
Bound With These Titles
On Order
Summary
Summary
&&LDIV&&R&&LDIV&&R&&LDIV&&R&&LI&&RRobinson Crusoe&&L/I&&R, by &&LB&&RDaniel Defoe&&L/B&&R, is part of the &&LI&&R &&LI&&RBarnes & Noble Classics&&L/I&&R &&L/I&&Rseries, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of &&LI&&RBarnes & Noble Classics&&L/I&&R: &&LDIV&&R New introductions commissioned from todays top writers and scholars Biographies of the authors Chronologies of contemporary historical, biographical, and cultural events Footnotes and endnotes Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work Comments by other famous authors Study questions to challenge the readers viewpoints and expectations Bibliographies for further reading Indices & Glossaries, when appropriate All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. &&LI&&RBarnes & Noble Classics &&L/I&&Rpulls together a constellation of influences--biographical, historical, and literary--to enrich each readers understanding of these enduring works.&&L/DIV&&R&&L/DIV&&R&&L/DIV&&R&&LDIV&&R &&L/DIV&&R&&LDIV&&RWidely regarded as the first English novel, &&LB&&RDaniel Defoe's&&L/B&&R &&LI&&RRobinson Crusoe&&L/I&&R is one of the most popular and influential adventure stories of all time. This classic tale of shipwreck and survival on an uninhabited island was an instant success when first published in 1719 and has inspired countless imitations. &&LP&&RIn his own words, Robinson Crusoe tells of the terrible storm that drowned all his shipmates and left him marooned on a deserted island. Forced to overcome despair, doubt, and self-pity, he struggles to create a life for himself in the wilderness. From practically nothing, Crusoe painstakingly learns how to make pottery, grow crops, domesticate livestock, and build a house. His many adventures are recounted in vivid detail, including a fierce battle with cannibals and his rescue of Friday, the man who becomes his trusted companion. &&LP&&RFull of enchanting detail and daring heroics, &&LI&&RRobinson Crusoe&&L/I&&R is a celebration of courage, patience, ingenuity, and hard work.&&L/P&&R&&LP&&R&&LB&&RL. J. Swingle&&L/B&&R is Professor Emeritus of English Literature at the University of Kentucky, where his primary field of study is the intellectual contexts of British Romanticism as reflected in the works of eighteenth- and nineteenth-century poets and novelists.&&L/P&&R&&L/DIV&&R&&L/DIV&&R
Author Notes
Daniel Defoe was born Daniel Foe in London, England on September 13, 1660. He changed his surname in 1703, adding the more genteel "De" before his own name to suggest a higher social standing. He was a novelist, journalist, and political agent.
His writings covered a wide range of topics. His novels include Robinson Crusoe, Moll Flanders, Roxana, Captain Singleton, and Colonel Jack. He wrote A Tour Thro' the Whole Island of Great Britain, which is an important source of English economic life, and ghost stories including A True Relation of the Apparition of One Mrs. Veal. He also wrote satirical poems and pamphlets and edited a newspaper. He was imprisoned and pilloried for his controversial work, The Shortest Way with the Dissenters, which suggested that all non-Conformist ministers be hanged. He died on April 24, 1731.
(Bowker Author Biography)
Reviews (1)
School Library Journal Review
Gr 7 Up-Defoe's classic novel of shipwreck and survival, now nearly 300 years old, is abridged competently in this recording. The flavor of the 18th century language is retained, but the plot moves along at a pace more appealing to 21st century ears. The reader, Martin Shaw, has a pleasant voice, but unfortunately tends to trail off at the ends of sentences, losing whole words. As with all abridgements, large sections of the story and entire characters are omitted, but since most of the book tells of Crusoe's solitary sojourn on the island, this is not a major problem. This version is no substitute for the original, but it would be a supplemental purchase in libraries where abridgements are popular.-Sarah Flowers, Santa Clara County Library, Morgan Hill, CA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Excerpts
Excerpts
From L. J. Swingle's Introduction to Robinson Crusoe People who have never actually read Daniel Defoe's Robinson Crusoe often think of it as a children's book. It is a tale, so they suppose, that belongs on the shelf upstairs in the playroom alongside Lassie, the Hardy Boys books, and Charlotte's Web. But to discover the fallacy of this notion we need only sit down with a child and start trying to read the book. Reading Robinson Crusoe to a child usually turns out to be a different, somewhat less amiable adventure than telling the child about Robinson Crusoe in our own words. The child can eagerly attend to our retelling of the Crusoe story, relatively inept storytellers though we may be. The experiences of a man shipwrecked alone on a desert island-his initial fears, his efforts to escape, his struggle to secure food and shelter, his discovery of a footprint in the sand-all these things take powerful hold on a child's imagination. But if plunged into Defoe's original narrative of Crusoe's experiences, a child immediately senses that the waters of storytelling have suddenly gotten uncomfortably deep, that the exciting shallows of the story as Mom or Dad would tell it at bedtime have been left behind, that many things going on around the margins of the adventure story in Defoe's book are not attractively adventurous. How can a person possibly wade through this strange book that pretends to be Robinson Crusoe ? Some sort of incomprehensible adult trickery must be going on here. Published in 1719, Robinson Crusoe is a novel for grown-up minds that has been kidnapped for, though obviously not by, the kids. In this respect it's interestingly akin to another supposed children's book that would be published midway into the next century, Lewis Carroll's Alice's Adventures in Wonderland (1865). Like Crusoe, Alice presents us with the story of a person transported from our own familiar world into foreign territory that offers opportunity for exciting adventure, obviously, but also for an encounter with some complex intellectual issues. A child, responding eagerly to the adventure but brought up short by the intellectual issues, is likely to sense immediately that neither Crusoe nor Alice is a book for the playroom. Both belong in the library downstairs, where adults retreat to contemplate the shadowy mysteries of their own minds and experience. Once we adults rescue Robinson Crusoe from the playroom and begin thinking about its significance for ourselves, it is helpful to consider some things we might expect to find in the novel that either do not appear there at all or that appear in unfamiliar forms. Writing Robinson Crusoe in the early years of the eighteenth century, Defoe reveals himself to be in several important respects not quite of our mind. True, he's an intellectual precursor of the modern mind and, as such, some aspects of his basic interests and values are relatively close to our own. Rudiments of the Crusoe story exert considerable contemporary popular appeal, and not just to small children. Many movie adaptations have been made of the story. In the last few years alone, for example, we've had Aidan Quinn play Crusoe in a 1988 film of that name; we've had Pierce Brosnan, of James Bond fame, play Crusoe in the 1996 Robinson Crusoe ; we've had Tom Hanks play a rather interesting loose translation of Crusoe as a plane-wrecked Federal Express man in the 2000 film Cast Away. The name "Robinson Crusoe" itself has entered the public domain; like "Gatsby," "Tarzan," "Superman," and "Mickey Mouse," it has become a useful shorthand term in contemporary popular thought, meaningful to people who have never encountered the literary source. But if we go back to the novel Robinson Crusoe and see what Defoe made of the story in 1719, we run into some intriguing basic differences from common inclinations of thought in more recent centuries. These differences constitute an important part of what makes Robinson Crusoe not simply entertaining-occasionally almost more puzzling, or even more irritating than entertaining-but thereby greatly worth reading for the mind's sake. Excerpted from Robinson Crusoe: The Complete Story of Robinson Crusoe by Daniel Defoe All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.