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Summary
Summary
A brilliant criminal known only as the Mastermind orchestrates a series of bank robberies that are notable for their very precise demands -- and their explosive violence when the demands are not met exactly. Detective Alex Cross takes on the case and recognizes that a particular kind of criminal mind is at work. But before he gets near identifying a suspect, the Mastermind pulls off the most outrageous kidnapping scheme in U.S. history -- and walks away with the largest ransom ever paid.But the money is not enough. Alex Cross's investigation has gotten under the Mastermind's skin, and he makes it his personal goal to take revenge on Cross's entire team, one person at a time -- before coming after Cross himself.Amidst all this, Cross's relationship with his girlfriend Christine is falling apart because of her fears about his work, and his beloved daughter Jannie is hospitalized with unexplained seizures. The pressure rises on every front, until an explosive, shocking climax in which the Mastermind escalates his crimes to an unprecedented level, and Alex Cross risks everything to stop him in time.
Author Notes
James Patterson was born in Newburgh, New York, on March 22, 1947. He graduated from Manhattan College in 1969 and received a M. A. from Vanderbilt University in 1970. His first novel, The Thomas Berryman Number, was written while he was working in a mental institution and was rejected by 26 publishers before being published and winning the Edgar Award for Best First Mystery.
He is best known as the creator of Alex Cross, the police psychologist hero of such novels as Along Came a Spider and Kiss the Girls. Cross has been portrayed on the silver screen by Morgan Freeman. He has had eleven on his books made into movies and ranks as number 3 on the Hollywood Reporter's '25 Most Powerful Authors' 2016 list. He also writes the Women's Murder Club series, the Michael Bennett series, the Maximum Ride series, Daniel X series, the Witch and Wizard series, BookShots series, Private series, NYPD Red series, and the Middle School series for children. He has won numerous awards including the BCA Mystery Guild's Thriller of the Year, the International Thriller of the Year award, and the Reader's Digest Reader's Choice Award.
James Patterson introduced the Bookshots Series in 2016 which is advertised as All Thriller No Filler. The first book in the series, Cross Kill, made the New York Times Bestseller list in June 2016. The third and fourth books, The Trial, and Little Black Dress, made the New York Times Bestseller list in July 2016. The next books in the series include, $10,000,000 Marriage Proposal, French Kiss, Hidden: A Mitchum Story (co-authored with James O. Born). and The House Husband (co-authored Duane Swierczynski).
Patterson's novel, co-authored with Maxine Paetro, Woman of God, became a New York Times bestseller in 2016.
Patterson co-authored with John Connoly and Tim Malloy the true crime expose Filthy Rich about billionaire convicted sex offender Jeffrey Eppstein.
In January 2017, he co-authored with Ashwin Sanghi the bestseller Private Delhi. And in August 2017, he co-authored with Richard Dilallo, The Store.
The Black Book is a stand-alone thriller, co-authored by James Patterson and David Ellis.
In April 2018, he co-authored Texas Ranger with Andrew Bourelle.
In May 2018, he co-authored Private Princess with Rees Jones.
In August 2018 he co-authored Fifty Fifty with Candice Fox.
(Bowker Author Biography)
Reviews (2)
Publisher's Weekly Review
Alex Cross is backÄand that alone will have this novel crowning bestseller lists, a feat Patterson's books have achieved often of late, both his Cross (Pop Goes the Weasel) and non-Cross (Cradle and All) thrillers. Patterson won an Edgar for his first novel, The Thomas Berryman Number, but he hasn't won one since. One reason is that his prose, though sturdy as a trusted rowboat, is just as wooden; another is that his plottingÄhere detailing Washington, D.C., homicide detective Cross's pursuit of a crazed but crafty homicidal criminal known as the MastermindÄis about as sophisticated as that of a Frank and Joe Hardy tale. So why are the Cross novels so popular? In part because Patterson constructs them out of short, simple sentences, paragraphs and chapters that practically define the brisk, fun, E-Z read, and in part because, here and elsewhere, he engages in the smart and unusual tactic of alternating third- and first-person (from Cross's POV) narrative. Mostly, though, readers adore them because Cross is such a lovable hero, a family-oriented African-American whose compassion warmly balances the icy cruelty of Patterson's villains and their sometimes graphically depicted crimes (as is the case here). In the new novel, Cross suffers lady problems as his old love, who's in terror of Cross's job, leaves him, and he fumbles toward a new romance with an FBI agent; he also suffers personal trauma as his beloved daughter develops a brain tumor. That's back-burner action, though. The main focus here is, first, on a series of shocking Mastermind-engineered bank robbery/kidnappings involving wanton killings and, second, on the hunt to ID the MastermindÄa hunt both absorbing and annoying for its several (rather smelly) red herrings, and concluding with a revelation that screams sequel. While there's nothing subtle in this novel, every blatant element is packaged for maximum effect: roses may be red, but Patterson's newest is green all the way. U.K. and translation rights, Arthur Pine Associates. 1.25 million first printing; Literary Guild and Doubleday Direct main selections; simultaneous Random House large-print edition and Time Warner Audio. (Nov.) (c) Copyright PWxyz, LLC. All rights reserved
Library Journal Review
The latest "nursery rhyme" adventures of Dr. Alex Cross pick up where Pop Goes the Weasel (LJ 7/99) left off. Girlfriend Christine has just had baby Alex Jr. but is still haunted by her kidnapping and can't face life with a policeman. Alex is off catching yet another maniacal murderer, a creep who calls himself Mastermind and is terrorizing suburban Washington, DC, by robbing banks and killing indiscriminately. Working with the FBI rather than dependable partner John Sampson, Alex is frustrated again and again as the killer eludes them, until finally a break in the case leads them to their quarryDor does it? Patterson's formulaic suspense machine is once again in high gear, and fans of his usual breakneck plotting won't mind that the story is implausible and the surprise ending so surprising that any hint of motivation is sacrificed. They'll be waiting for the next installment. [Previewed in Prepub Alert, LJ 7/00.]DRebecca House Stankowski, Purdue Univ. Calumet Lib., Hammond, IN (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.