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Summary
Summary
Barradum! Barradum! Barrabubbitybubbityboom! Tamello De Fformelo Tussock wants more than anything to join the Long Patrol, those staunch and stalwart hare warriors who make their home at the top of Salamandastron Mountain. But Tammo, as he is called, is too young and inexperienced. Or is he? Guided by the nomad squirrel Russa, Tammo makes his way to Redwall, where the Long Patrol has gathered to protect their beloved Abbey from the great rat Rapscallions. And as the mighty rats rear their ugly heads and ancient Redwall warriors fall, young Tammo learns what life, death and honor really mean as a new generation of Redwall heroes comes to the fore to save their home from evil.
Author Notes
Brian Jacques was born in Liverpool, England on June 15, 1939. After he finished St. John's School at the age of fifteen, he became a merchant seaman and travelled to numerous ports including New York, Valparaiso, San Francisco, and Yokohama. Tiring of the lonely life of a sailor, he returned to Liverpool where he worked as a railway fireman, a longshoreman, a long-distance truck driver, a bus driver, a boxer, a police constable, a postmaster, and a stand-up comic. During the sixties, he was a member of the folk singing group The Liverpool Fishermen. He wrote both poetry and music, but he began his writing career in earnest as a playwright. His three stage plays Brown Bitter, Wet Nellies, and Scouse have been performed at the Everyman Theatre.
He wrote Redwall for the children at the Royal Wavertree School for the Blind in Liverpool, where he delivered milk as a truck driver. His style of writing is very descriptive, because of the nature of his first audience, for whom he painted pictures with words, so that they could see them in their imaginations. After Alan Durband, his childhood English teacher, read Redwall, he showed it to a publisher without telling Jacques. This event led to a contract for the first five books in the Redwall series. He also wrote the Castaways of the Flying Dutchman series. He died on February 5, 2011.
(Bowker Author Biography)
Reviews (3)
School Library Journal Review
Gr 6-8In this latest "Redwall" entry, Tammo, a young hare, becomes a member of a contingent of fighting forest folk who seek to defend the imperiled Redwall Abbey, led by the badger Lady Cregga Rose Eyes. Tammo and his comrades do battle against the Rapscallion foe, whose leader is the evil greatrat, Damug Warfang. Eventually the forces of good meet and clash with their evil enemies in a battle of legendary proportions. Good triumphs, of course, but not before several noble warriors have met their deaths. There is a tremendous amount of violence in this book. The characters maintain some of their animal characteristics, but it is their human qualities that make them either appealing or repugnant. The bad Rapscallions are thoroughly dishonest, traitorous, and cruel. The badgers, mice, hedgehogs, moles, and other assorted creatures that represent goodness may have foibles but they are unremittingly kind and generous. Pen-and-ink thumbnail sketches appear at the head of each chapter and strongly communicate the sense of drama. Some of the creatures, most notably the laboring class of moles, speak in an impossible, jaw-breaking dialect that may slow some readers down a bit; nevertheless, this is a worthy addition to a series that has found a definite niche among fantasy lovers. It breaks no new ground, but it is a satisfying adventure with a comforting, predictable conclusion. Its closing lines pave the way for yet another sequel.Bruce Anne Shook, Mendenhall Middle School, Greensboro, NC (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Publisher's Weekly Review
Jacques sticks to the tried-and-true in the latest installment of the Redwall series. In the declining years of the characters previously featured in Pearls of Lutra, a menacing band of raiders again threatens Redwall Abbey. And once again the good animals of Redwall and Mossflower must join together to fight the invader. A new protagonist, the young hare Tammo, joins the Long Patrol, an outfit charged with the protection of all the animals in Mossflower Wood and fabled for its soldiering; he does well in battle but wants no more of it: "No, I'm not all right, sah. I've seen death!" Love, sparked by an attractive female hare, is more important to him. Meanwhile, at the Abbey, excavations lead to a treasure hunt, like the one found in Lutra though not as integral to the plot. These familiar story lines are seasoned with a few other new characters and groups of animals, notably a wandering female squirrel (who, unfortunately, survives only halfway through). The Painted Ones and the Waterhogs, based on what appear to be popular perceptions of African tribesmen and Native American warriors, also make guest appearances. And of course, there is the familiar roster of animal typesroyal badgers, officer-class hares, greedy but cowardly rats and the country bumpkin moles, who can always be relied upon for a funny "gem of mole logic." The formula, in other words, still works, and the narrative, as usual, is tightly plotted andexcept for the difficult-to-decipher dialects and lengthy descriptions of foodbriskly paced. A feast for the faithful. Ages 12-up. (Feb.) (c) Copyright PWxyz, LLC. All rights reserved
Library Journal Review
Jacques reads his own fanciful story about an adolescent hare who wishes to join the Long Patrol, a militant band of hare soldiers who strive against the evil rat Rapscallion. With complex names, such as Tamello De Formelo Tussock, and unusual animal characters, Jacques tells a story of battle, friendship, and leadership. This imaginative story will appeal principally to those who like animal personages in adult fairy tales. While Jacques's solid male voice gives variety and individuality to his characters' voices, he is not always easily understood. As the narrator, his broad Lancashire accent predominates. Overall, it does not make for easy listening. To follow the story and understand the text requires very active listening. Unfortunately, most audiences will tire of the effort.Carolyn Alexander, Brigadoon Lib., Salinas, CA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.