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Summary
Summary
Big Brother is a striking novel about siblings, marriage, and obesity from Lionel Shriver, the acclaimed author the international bestseller We Need to Talk About Kevin.
For Pandora, cooking is a form of love. Alas, her husband, Fletcher, a self-employed high-end cabinetmaker, now spurns the "toxic" dishes that he'd savored through their courtship, and spends hours each day to manic cycling. Then, when Pandora picks up her older brother Edison at the airport, she doesn't recognize him. In the years since they've seen one another, the once slim, hip New York jazz pianist has gained hundreds of pounds. What happened? After Edison has more than overstayed his welcome, Fletcher delivers his wife an ultimatum: It's him or me.
Rich with Shriver's distinctive wit and ferocious energy, Big Brother is about fat: an issue both social and excruciatingly personal. It asks just how much sacrifice we'll make to save single members of our families, and whether it's ever possible to save loved ones from themselves.
Author Notes
Lionel Shriver was born Margaret Ann Shriver on May 18, 1957 in Gastonia, North Carolina. She changed her first name because of her preference for it. She was educated at Barnard College, and Columbia University (BA, MFA). She has lived in Nairobi, Bangkok and Belfast, and currently lives in London. Shriver wrote seven novels and published six (one novel could not find a publisher) before writing We Need to Talk About Kevin, which she called her "make or break" novel. She won the 2005 Orange Prize for her eighth published novel, We Need to Talk About Kevin, a thriller and close study of maternal ambivalence, and the role it might have played in the title character's decision to murder nine people at his high school. The book created a lot of controversy, and achieved success through word of mouth. The Mandibles: A Family, 2029-2047 was published in May 2016.
(Bowker Author Biography)
Reviews (2)
Publisher's Weekly Review
Shriver (We Need to Talk About Kevin) returns to the family in this intelligent meditation on food, guilt, and the real (and imagined) debts we owe the ones we love. Ex-caterer Pandora has made it big with a custom doll company that creates personal likenesses with pull-string, sometimes crude, catch phrases. The dolls speak to the condition of these characters-all trapped in destructive relationships with food (and each other): Pandora cooks to show love, to the delight of her compulsively fit husband Fletcher, whose refusal to eat diary or vary from his biking routine are the outward manifestation of his remove. Pandora's brother Edison eats to ease the pain of a stalled music career and broken marriage. And both live somewhat uncomfortably in the shadow of their father's TV fame. In Big Brother, nothing reveals character more scathingly than food. Early in the book, the nearly 400-pound Edison arrives-waddling through an Iowa airport with a "ground eating galumph"-a man transformed in the four years since his sister last saw him. He brings the novel energy as well as an occasionally unpalatable maudlin drama. But Pandora will risk everything, including her own health, to save him. If this devotion and Pandora's increasing success with Edison's diet plan sometimes seem chirpily false, a late reveal provides devastating justification. Agent: Kim Witherspoon, Inkwell Management. (June) (c) Copyright PWxyz, LLC. All rights reserved.
Library Journal Review
Pandora hasn't seen her older brother, Edison, a hip New York jazz musician, in four years. When she picks him up at an Iowa airport, he gives her the shock of her life: Edison has gained over 200 pounds and is unrecognizable. His visit is an intrusion into Pandora's home, which she shares with her fitness-freak husband, Fletcher, and her two adopted children. National Book Award finalist and New York Times best-selling novelist Shriver (So Much for That; We Need To Talk About Kevin) is known for her unstinting scrutiny of timely topics. Now she confronts the social but also painfully private issue of obesity through sibling relationships and marriage. However, the novel is essentially about fat-the nature of our relationship to food, why we overeat, and whether crash diets really work. As Fletcher becomes incensed with his brother-in-law's appalling eating habits, slovenly appearance, and careless behavior, he gives Pandora an ultimatum: it's him or me. VERDICT Brilliantly imagined, beautifully written, and superbly entertaining, Shriver's novel confronts readers with the decisive question: can we save our loved ones from themselves? A must-read for Shriver fans, this novel will win over new readers as well. Highly recommended. [See Prepub Alert, 12/9/12.]-Lisa Block, Atlanta (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.