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Summary
Summary
From the internationally bestselling author of The House at Riverton , an unforgettable new novel that transports the reader from the back alleys of poverty of pre-World War I London to the shores of colonial Australia where so many made a fresh start, and back to the windswept coast of Cornwall, England, past and present
A tiny girl is abandoned on a ship headed for Australia in 1913. She arrives completely alone with nothing but a small suitcase containing a few clothes and a single book -- a beautiful volume of fairy tales. She is taken in by the dockmaster and his wife and raised as their own. On her twenty-first birthday they tell her the truth, and with her sense of self shattered and with very little to go on, "Nell" sets out on a journey to England to try to trace her story, to fi nd her real identity. Her quest leads her to Blackhurst Manor on the Cornish coast and the secrets of the doomed Mountrachet family. But it is not until her granddaughter, Cassandra, takes up the search after Nell's death that all the pieces of the puzzle are assembled. At Cliff Cottage, on the grounds of Blackhurst Manor, Cassandra discovers the forgotten garden of the book's title and is able to unlock the secrets of the beautiful book of fairy tales.
This is a novel of outer and inner journeys and an homage to the power of storytelling. The Forgotten Garden is fi lled with unforgettable characters who weave their way through its spellbinding plot to astounding effect.
Morton's novels are #1 bestsellers in England and Australia and are published in more than twenty languages. Her fi rst novel, The House at Riverton , was a New York Times bestseller.
Author Notes
Kate Morton was born in South Australia in 1976. She earned a degree in speech and drama from Trinity College London, an English literature degree from the University of Queensland, and a master's degree focusing on tragedy in Victorian literature from the University of Queensland. She also completed a summer Shakespeare course at the Royal Academy of Dramatic Art in London. She is currently enrolled in a Ph.D. program researching contemporary novels that marry elements of gothic and mystery fiction.
She won the Australian Book Industry Award for General Fiction Book of the Year in 2007 for her debut novel, The Shifting Fog, also known as The House at Riverton. Her other books include The Distant Hours, and The Forgotten Garden, which won the Australian Book Industry Award for General Fiction Book of the Year in 2009. Her books The Secret Keeper and The Lake House were New York Times bestsellers.
(Bowker Author Biography)
Reviews (1)
Library Journal Review
A cottage on the Cornish coast is home to secrets that pull together three generations of women, despite the decades and oceans that separate them. Morton follows up her New York Times best-selling debut novel, The House at Riverton (2008)-also available from Bolinda Audio, as The Shifting Fog-with this perfect mix of scandal, drama, mystery, and just a hint of fairy-tale wonder. Actress/narrator Caroline Lee (The Ghost's Child) is a natural to portray this largely Australian cast of characters, though her other accents might leave listeners guessing. Likely to appeal to those who enjoyed Diane Setterfield's The Thirteenth Tale. [Audio clip available through www.bolinda.com; the Atria: S.& S. hc was "strongly recommended for readers who enjoy intergenerational family sagas," LJ Xpress review 3/20/09.-Ed.]-Lisa Anderson, Metropolitan Community Coll. Lib., Omaha (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.
Excerpts
Excerpts
One London, 1913 It was dark where she was crouched but the little girl did as she'd been told. The lady had said to wait, it wasn't safe yet, they had to be as quiet as larder mice. It was a game, just like hide-and-seek. From behind the wooden barrels the little girl listened. Made a picture in her mind the way Papa had taught her. Men, near and far, sailors she supposed, shouted to one another. Rough, loud voices, full of the sea and its salt. In the distance: bloated ships' horns, tin whistles, splashing oars and, far above, grey gulls cawing, wings flattened to absorb the ripening sunlight. The lady would be back, she'd said so, but the little girl hoped it would be soon. She'd been waiting a long time, so long that the sun had drifted across the sky and was now warming her knees through her new dress. She listened for the lady's skirts, swishing against the wooden deck. Her heels clipping, hurrying, always hurrying, in a way the little girl's own mamma never did. The little girl wondered, in the vague, unconcerned manner of much-loved children, where Mamma was. When she would be coming. And she wondered about the lady. She knew who she was, she'd heard Grandmamma talking about her. The lady was called the Authoress and she lived in the little cottage on the far side of the estate, beyond the maze. The little girl wasn't supposed to know. She had been forbidden to play in the bramble maze. Mamma and Grandmamma had told her it was dangerous to go near the cliff. But sometimes, when no one was looking, she liked to do forbidden things. Dust motes, hundreds of them, danced in the sliver of sunlight that had appeared between two barrels. The little girl smiled and the lady, the cliff, the maze, Mamma left her thoughts. She held out a finger, tried to catch a speck upon it. Laughed at the way the motes came so close before skirting away. The noises beyond her hiding spot were changing now. The little girl could hear the hubbub of movement, voices laced with excitement. She leaned into the veil of light and pressed her face against the cool wood of the barrels. With one eye she looked upon the decks. Legs and shoes and petticoat hems. The tails of colored paper streamers flicking this way and that. Wily gulls hunting the decks for crumbs. A lurch and the huge boat groaned, long and low from deep within its belly. Vibrations passed through the deck boards and into the little girl's fingertips. A moment of suspension and she found herself holding her breath, palms flat beside her, then the boat heaved and pushed itself away from the dock. The horn bellowed and there was a wave of cheering, cries of "Bon voyage!" They were on their way. To America, a place called New York, where Papa had been born. She'd heard them whispering about it for some time, Mamma telling Papa they should go as soon as possible, that they could afford to wait no longer. The little girl laughed again; the boat was gliding through the water like a giant whale, like Moby Dick in the story her father often read to her. Mamma didn't like it when he read such stories. She said they were too frightening and would put ideas in her head that couldn't be got out. Papa always gave Mamma a kiss on the forehead when she said that sort of thing, told her she was right and that he'd be more careful in the future. But he still told the little girl stories of the great whale. And others -- the ones that were the little girl's favorite, from the fairy-tale book, about eyeless crones, and orphaned maidens, and long journeys across the sea. He just made sure that Mamma didn't know, that it remained their secret. The little girl understood they had to have secrets from Mamma. Mamma wasn't well, had been sickly since before the little girl was born. Grandmamma was always bidding her be good, warning her that if Mamma were to get upset something terrible might happen and it would be all her fault. The little girl loved her mother and didn't want to make her sad, didn't want something terrible to happen, so she kept things secret. Like the fairy stories, and playing near the maze, and the times Papa had taken her to visit the Authoress in the cottage on the far side of the estate. "Aha!" A voice by her ear. "Found you!" The barrel was heaved aside and the little girl squinted up into the sun. Blinked until the owner of the voice moved to block the light. It was a big boy, eight or nine, she guessed. "You're not Sally," he said. The little girl shook her head. "Who are you?" She wasn't meant to tell anybody her name. It was a game they were playing, she and the lady. "Well?" "It's a secret." His nose wrinkled, freckles drew together. "What for?" She shrugged. She wasn't supposed to speak of the lady, Papa was always telling her so. "Where's Sally, then?" The boy was growing impatient. He looked left and right. "She ran this way, I'm sure of it." A whoop of laughter from further down the deck and the scramble of fleeing footsteps. The boy's face lit up. "Quick!" he said as he started to run. "She's getting away." The little girl leaned her head around the barrel and watched him weaving in and out of the crowd in keen pursuit of a flurry of white petticoats. Her toes itched to join them. But the lady had said to wait. The boy was getting further away. Ducking around a portly man with a waxed moustache, causing him to scowl so that his features scurried towards the center of his face like a family of startled crabs. The little girl laughed. Maybe it was all part of the same game. The lady reminded her more of a child than of the other grown-ups she knew. Perhaps she was playing, too. The little girl slid from behind the barrel and stood slowly. Her left foot had gone to sleep and now had pins and needles. She waited a moment for feeling to return, watched as the boy turned the corner and disappeared. Then, without another thought, she set off after him. Feet pounding, heart singing in her chest. Copyright (c) 2008 by Kate Morton Excerpted from The Forgotten Garden by Kate Morton, Kate Morton All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.