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Summary
Summary
With 13 one-half, Nevada Barr, New York Times bestselling author of theaward-winning Anna Pigeon novels, haswritten a taut and terrifying psychologicalthriller. It carries the reader from thehorrifying 1970s murder spree of a child--dubbed "Butcher Boy" by a shocked public--in Rochester, Minnesota, to Polly, theabused daughter of Mississippi "trailertrash," to post-Katrina New Orleans.
In Jackson Square in the French Quarter a tarot card reader told Polly Deschamps she would be a success. Thirty years later, Polly is a respected professor of literature with good friends and her own home--a safe life for her and her two daughters. Butcher Boy, released on his seventeenth birthday, shook the snow from his boots and headed south. New Orleans, a Mecca for runaways then and now, offers sanctuary but never forgiveness. When Polly falls in love with Marshall Marchand, a restoration architect who is helping to rebuild her adopted city, shadows of the past rise out of the poisoned ground of New Orleans as thick and deadly as the toxic waters of the flood. Like history, some crimes are doomed to repeat themselves. Evil stays the same, only the victims' names change. As two broken pasts collide in an uncertain present, Polly is determined that her children's names will never be on that list.Author Notes
Nevada Barr was born on March 1, 1952. She is the author of a series of mysteries involving national parks. She draws on her own experience as a National Park Service ranger to thrill readers with the majesty of nature. Anna Pigeon, the heroine of such novels as A Superior Death and Endangered Species, is a rough-and-tough ranger who left the wilds of New York for the great outdoors, and is modeled after Barr.
Barr began writing in 1978, garnering national attention with the publication in 1993 of Track of the Cat, which won both the Agatha and Anthony awards for Best First Mystery Novel. Her novels are known for breathtaking descriptions of nature, diverse settings, and a no-nonsense heroine. She also provides frequently unflattering portrayals of the National Park Service.
Her works include 13 1/2, Winterstudy, Borderline, Burn, The Rope and Destroyer Angel.
(Bowker Author Biography)
Reviews (2)
Publisher's Weekly Review
Reaching beyond her successful Anna Pigeon series (Borderline, etc.), bestseller Barr comes up with the brass ring: a stand-alone psychological thriller with grit, teeth and heart. At 15, Polly Farmer escapes an alcoholic mother and a trailer-park no-future, hitchhikes to New Orleans and makes a life for herself as an English professor. Polly, divorced with two daughters, romantically intersects with handsome restoration architect Marshall Marchand-who's really Dylan Raines, who was incarcerated as the 11-year-old "Butcher Boy" who axe-murdered his parents 25 years earlier in Minnesota. As Barr artfully unfolds this mystery of wickedness and pain in eerie post-Katrina New Orleans, she tackles a multitude of societal evils, from psychiatric drug abuse to the juvenile justice system, but her central conflict, Polly's fierce determination to keep her daughters safe while trying to believe in the man she loves, makes this a terrifying, utterly convincing glimpse into the abyss. (Oct.) (c) Copyright PWxyz, LLC. All rights reserved
Library Journal Review
Dylan Raines slaughtered his family with an ax when he was 11 years old; trouble is, he can't remember doing it. Richard, his surviving older brother, protects Dylan, and when the chance to relocate from Minnesota to New Orleans opens up, they head south to start anew. Divorced Tulane professor Polly Deschamps survived her own sordid childhood and has made a perfect life for her two daughters in the Big Easy. But years later, as these characters' lives intersect, a tarot card reader predicts mayhem and death. Polly's new husband exhibits troubling behavior, and his brother confuses her even more. The interspersed newspaper snippets about infamous mass killers heighten our feelings of dread and inevitability. Perhaps we understand Dylan's tortuous plight-or is something more sinister going on? Barr's first stand-alone since her 1984 debut, Bittersweet, is stunning and a true break from her Anna Pigeon series (e.g., Borderline). Verdict Keep the lights on while reading this intense psychological thriller. The tension's so tight you'll be rethinking every motive and clue up to the finale. Much like Nancy Pickard in The Virgin of Small Plains, Barr forces us to look beyond the obvious to the hidden evils we may have overlooked.-Teresa L. Jacobsen, Solano Cty. Lib., Fairfield, CA (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.